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A typographic poster in light blue on a dark green background. The text consists of repeating rows of “M” and “W” characters, with the words “MAKING”, “WATER”, “LAURA” and “JARAMILLO” integrated into the pattern.
A typographic poster in light blue on a dark green background. The text consists of repeating rows of “M” and “W” characters, with the words “MAKING”, “WATER”, “LAURA” and “JARAMILLO” integrated into the pattern.

“Simple, perfect”: The 50 best book covers of 2022, according to AIGA

From popular releases by A24 and Standards Manual to paperback poetry, AIGA offers a snapshot of book design excellence across 27 countries.

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Date
6 July 2023

On 5 July, AIGA – the professional association for design – announced the winners of its annual book and book cover competition, which has been running since its inception as the Fifty Books of the Year competition in 1923. This year the event saw over 487 entries, with the jury experiencing “extreme difficulty” when making the final selection due to the quantity and quality of entries.

Among the winners was a typographically driven submission from Laura Coombs, the designer behind Mindy Seu’s archival project Cyberfeminism Index. Rodrigo Corral’s peachy cover for Butts by Heather Radke also received high praise from the jury; “Stopped me in the bookstore. Clear, arresting, funny, simple,” says the jury. As did Bloco Gráfico’s design for Abdias Nascimento: A Panamefrican Artist, which used typography to further highlight the artist’s work. Readers can find the full gallery of winning entries here.

An illustration of a peach that resembles a pair of buttocks against a bright yellow background. Text at the top reads “Butts” and “A Backstory”, with the name “Heather Radke” at the bottom.
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Rodrigo Corral: Butts by Heather Radke (Copyright © Avid Reader Press)

Some of the most popular techniques for book and editorial design last year were exposed bindings and mixed paper choices; tactile and craft-led experiments could also be found throughout.

AIGA 50 Books | 50 Covers chair Andrew Satake Blauvelt also pointed to the increased diversity in subject matter across categories this year. “This was apparent to me among the cookbooks for instance, which focused on diasporic cuisine or in the number of exhibition catalogues devoted to artists of colour, for instance.”

“The strongest covers really connected to the content of the book, while the book designs displayed a penchant for material choices that really emphasised the physicality or object quality of the book,” says Andrew.

A collage of torn paper scraps and text on a dark brown background, overlaid with large, gestural yellow brushstrokes. Legible text includes “A HAPPENING BY ALEX DA CORTE” and “READ ME”.
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Leftloft: Alex Da Corte: Chicken by Alex Da Corte, Karen Kelly, Barbara Schroeder. Texts by Text by Erica Battle and Amanda Sroka, David Breslin, Rosalyn Drexler, Kim Nyugen, William Pym, Sid Sachs, et al.(Copyright © Dancing Foxes Press)

A graphic illustration of a green perfume bottle against a wavy pink background. Text at the top reads “Cry Perfume” and “Sadie Dupuis”.
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Julian Montague: Cry Perfume by Sadie Dupuis (Copyright © Black Ocean)

A neon green poster featuring a dense list of names and titles. Large, bold text laid over the list reads “CYBER-FEMINISM INDEX” and “MINDY SEU”.
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Laura Coombs: Cyberfeminism Index by Mindy Seu (Copyright © Inventory Press)

Two square paintings side by side. The left features a green and yellow composition with a blue circle and the word “OKEOKE” repeated twice. The right shows a black double-headed axe over red and white stripes and a blue field with stars. Vertical text on the outer edges reads “A PANAFRICAN ARTIST” and “ABDIAS NASCIMENTO”.
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Bloco Gráfico: Abdias Nascimento: a panamefrican artist by Adriano Pedrosa, Amanda Carneiro (Copyright © MASP)

The pink cover of a book features the word “Florida!” in bold, multi-coloured lettering. Below, a title reads “A Hyper-local Guide to the Flora, Fauna, and Fantasy of the Most Far-out State in America”. The text is surrounded by colourful illustrations of a crocodile, a flamingo, a swordfish and various surreal figures.
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Studio Elana Schlenker and Jordi Ng / Gabriel Alcala: Florida! by Gabrielle Calise (Copyright © A24)

A book bound in coarse, frayed linen fabric rests on a red and yellow background. The cover features a white label with the title “Forgotten Heritage: Uncovering Singapore’s Traditional Chinese Puppets” and Chinese characters.
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Designing Cultures Studio: Forgotten Heritage: Uncovering Singapore’s Traditional Chinese Puppets by Caroline Chia and Jesvin Yeo (Copyright © Basheer Graphic Books)

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Everything Studio: Making Water by Laura Jaramillo (Copyright © Futurepoem)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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