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Henry Gorse photographs his mum in a thoughtful Hermes shoot for Petrie magazine

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Date
20 September 2017
A person in a flowing purple dress stands in a garden, holding a large framed family portrait above their head. They balance one foot on a blue football beside a pond.

Photographer Henry Gorse’s latest shoot for Petrie magazine in Hermes special issue, stars his nearest and dearest, his mum.

In the most recent issue, Henry went back to his village in Ravensmoor to complete the shoot. “The surroundings and props all meant something to us both,” he explains, “whether it was the cross door or the bouncy castle, they all have a story beyond the visual.”

For the shoot Henry was given full creative control in order to “see an original interpretation,” says the photographer. “This commission allowed me the perfect chance to reflect upon a situation back home, maybe in a more positive mindset than I was able to without using a camera.”

The photographer’s decision to cast his mum as the model grew from the idea that he “wanted to use the brand Hermes to elevate the story of my mum in a positive light, empowering her,” he explains.

But the logistics of photographing and directing someone who is usually telling you what to do is a difficult task. “It’s always tricky photographing friends and family as I’m seen as Henry, not a photographer. Seeing the clothes and having Brilliant as a stylist I think helped my mum realise this wasn’t just me mucking around with a camera,” says Henry.

“I was surprised at how much of a natural she was, she enjoyed the process. I think subconsciously we both had a lot we wanted to say and it all flowed out visually without much thought, as natural as a collaboration can be, the bond between mother and son.”

Three illustrated fabric squares hang from a clothesline in a grassy garden. A leafy tree and a manicured hedge stand behind them.
Above

Henry Gorse: Hermes for Petrie

A person stands outdoors against a backdrop of leafy bushes, holding a large metal spring aloft. They wear a garment made from a reflective, textured silver material.
Above

Henry Gorse: Hermes for Petrie

Two figures in long, ochre-coloured robes stand in a wide green field. One person stands tall while the other kneels beside them, set against a backdrop of a pond and a heavy, grey sky.
Above

Henry Gorse: Hermes for Petrie

A person stands in a garage wearing a white and red helmet, a red patterned top, and a long black leather vest and trousers. They hold two large spanners while standing in front of a red car raised on a hydraulic lift.
Above

Henry Gorse: Hermes for Petrie

A person stands in a small wooden boat on a pond covered in lily pads. They are wrapped in a large orange and beige patterned blanket. The side of the boat features the word “Hermes” in bold black lettering.
Above

Henry Gorse: Hermes for Petrie

A person in a long tan coat stands in a field of yellow wildflowers, leaning against a freestanding wooden door frame. The door is open, and they peer through the gap against a bright blue sky with fluffy white clouds.
Above

Henry Gorse: Hermes for Petrie

A person stands with their eyes closed, wearing a patterned black and white dress and a yellow flower in their hair. Several hands emerge from behind them, holding orange boxes around their body.
Above

Henry Gorse: Hermes for Petrie

A person with blonde hair looks upwards and to the side against a bright blue sky. They wear a red textured jacket and a tall, sculptural headpiece made of blue, green and white faux fur.
Above

Henry Gorse: Hermes for Petrie

A contact sheet of 16 film frames showing a person playing in a pink and purple inflatable bouncy castle. The sequence captures the person jumping and lounging inside the structure against a backdrop of green trees.
Above

Henry Gorse: Hermes for Petrie

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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