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Typographers collaborate between Brisbane and Glasgow on Lettering meets Letterpress project

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Date
29 June 2016
A framed print featuring the words “Northern Southern” in a stylised, cursive script. The word “Northern” is black and the word “Southern” is blue, with both words blending together through a stippled gradient effect.

Craig Black and Nicole Arnett Phillips have collaborated on a new type project that combines letterpress printing and hand-drawn lettering. Craig, a typographer and designer based in Glasgow, Scotland, and Nicole, a letterpress designer based in Brisbane, Australia, met online and decided to work on a project together despite the significant geographical distance between them.

Nicole printed the first stage of the artworks, the words “Southern” and “Opposites,” using a Farley No. 25 letterpress, using some of her wood type block collection. She composed the form, selected the paper stock, and hand-inked the press. “I wanted the printing to be as manual as possible,” she explains.

Nicole then posted the proofs to Craig in Glasgow, who used them as a basis for his hand-drawn lettering on glass. He stippled the words “Northern” and “Attract” in paint pen on the glass panels, then layered them on top of Nicole’s prints and made six custom frames to hold the works. This was all done within eight weeks.

The pieces, Northern/Southern and Opposites/Attract were then shipped to Dubai to be shown at the ING Creatives show, where Craig says the project garnered interest because “people wondered how we made the works from opposite sides of the world.” Similarly at a second show at The Design Conference in Brisbane Nicole says visitors were curious as to how the duo made an analogue collaboration work long distance.

The self-penned “typo-pairing” hopes to continue the collaboration further. “We wanted to explore the juxtapositions in our relationship. We may contrast in styles but we are cohesive in our passion and approach.”

A black square frame contains a white print with the words “Northern” and “Southern” stacked in the centre. The top word is in a black script, while the bottom is in a blue serif typeface.
A close-up of a print featuring stylized typography. Black cursive lettering with a stippled, grainy texture sits above the word “SOUTH” in bold blue capitals.
A framed print featuring the word “OPPOSITES” in bold red lettering. The word is layered over a mirrored, black calligraphic shape that reflects vertically across the centre.
A close-up of a print featuring the word “OPPOSITES” in bold, pink serif typography. The letters are entwined with flowing, black stippled lines that create a sense of movement across a white background.
A person uses a black Posca marker to draw a stylised, calligraphic shape on a white sheet of paper. The ink forms a series of bold, curved strokes and dotted patterns.
Metal letterpress blocks are arranged to spell a word in reverse. Beside them, a print on white paper shows the word “opposites” in pink ink.
A person uses a black marker to draw a stylised word in calligraphy. The ink fades from solid black at the top into a fine stippled gradient at the bottom.

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. [email protected]

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