Launch Recite Me assistive technology

Phyllida Barlow to represent Britain at the Venice Art Biennale

—
Date
8 December 2016
A large-scale installation of chaotic wooden scaffolding and beams fills a high-ceilinged gallery. Piles of colourful fabrics, ropes and debris are tangled within the structures and scattered across the floor.

Phyllida Barlow has been selected to represent Britain at the 57th Venice International Art Biennale in 2017. The artist, known for her monumental sculptures, was chosen by the British Council to hold a solo show in the British Pavilion. The show will run from 13 May – 26 November 2017.

The 72-year-old artist, who is the great-great-granddaughter of Charles Darwin, has been practicing for 50 years and became a Royal Academician in 2011. She is known for creating large-scale assemblages using everyday materials such as cardboard, cement, plywood and plaster, though famously refers to her works as “anti-monumental”.

Her installations and sculptural works were celebrated in two major shows in 2014. At the Tate Britain she showed a series of huge pieces named dock, including a huge ascending tower of timber structures named untitled: dock: emptystaircasehoarding. At Hauser & Wirth gallery in Somerset she showed pieces named GIG including a room full of multicoloured hanging pom-poms and a seemingly precarious pile of fold-up wooden chairs.

“It is going to be a remarkable experience to begin to consider the work for the imposing architecture of the British pavilion,” Phyllida says of the Venice commission. “The international diversity for which the Biennale is so renowned within the particular context of Venice is a unique and stimulating creative opportunity beyond my wildest dreams.”

The British Council’s director of visual arts Emma Dexter says Phyllida’s work “combines physical impressiveness with intricate and highly considered details,” and that she “transforms and dynamically alters every exhibition space she encounters”.

Venice Art Biennale takes place from 13 May – 26 November 2017.

A large-scale sculpture made of stacked wooden chairs and furniture fills a grand hall. The structure is framed by massive stone columns under a high, arched ceiling.
Above

Phyllida Barlow: untitled: dock: emptystaircasehoarding (courtesy Hauser & Wirth)

Large, colourful pom-poms made from shredded fabric hang from the exposed beams of a rustic building. The vibrant spheres in pink, blue, orange and purple are suspended at different heights across the room.
Above

Phyllida Barlow: untitled: GIG (courtesy Hauser & Wirth)

A jumbled pile of red folding chairs sits on a brick courtyard. Behind them is a weathered stone wall and a traditional stone building under a bright sky.
Above

Phyllida Barlow: untitled: stackedchairs (courtesy Hauser & Wirth)

A sculpture made of a precarious tower of red, yellow and black wooden scaffolding. The top is piled high with a chaotic heap of ropes, plastic bags and bundled fabrics.
Above

Phyllida Barlow: untitled: dock: 5stackedcrates (courtesy Hauser & Wirth)

A large, fragmented sculpture made of dark, textured material is suspended within a complex wooden scaffolding structure. The sculpture is broken open to reveal a bright orange interior, with a few red letters painted on its surface.
Above

Phyllida Barlow: untitled: dock: 5hungblocks (courtesy Hauser & Wirth)

A large-scale sculpture made of countless wooden sticks and branches tied together with colourful ribbons. The installation sits on a concrete plaza beneath a low overhang, beside a splashing water feature.
Above

Phyllida Barlow: TIP (courtesy Hauser & Wirth)

A sculpture installation featuring rows of tall, weathered wooden beams in red, yellow and brown. Each beam is anchored at the base by a heavy, textured grey stone or concrete block.
Above

Phyllida Barlow: untitled: GIG (courtesy Hauser & Wirth)

An installation of large, colourful fabric banners in red, black, yellow and pink hang from tall wooden poles. Below the banners, the floor is scattered with orange fabric cushions and triangular wooden supports.
Above

Phyllida Barlow: untitled: 100banners (courtesy Hauser & Wirth)

A large-scale sculpture made of stacked, grey textured blocks fills a bright gallery space. Similar doughnut-shaped forms are scattered across the floor in the foreground.
Above

Phyllida Barlow: tryst (courtesy Hauser & Wirth)

A sculpture of three massive, stacked grey boulders sits in a gallery with exposed wooden ceiling beams. In the background, a person stands beside a complex installation of stacked wooden crates and red fabric.
Above

Phyllida Barlow: untitled: stashhoarding (courtesy Hauser & Wirth)

A large sculpture made from a chaotic pile of construction materials, including wooden beams, pipes and foam blocks. The various elements are bound together with orange and black tape in a bright, white-walled room.
Above

Phyllida Barlow: untitled: stashhoarding (courtesy Hauser & Wirth)

Share Article

About the Author

Jenny Brewer

—

Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. [email protected]

To submit your work to be featured on the site, please see our Submissions Guide.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.