Japanese studio Akaoni Design have got so much fantastic work under their belts it’s almost impossible to pick out a favourite piece. So we didn’t, instead offering you an overview of their lovely work. The Yamagata-based consultancy have an incredible skill for combining hand-drawn and digital elements to create a graphic language that’s entirely their own. Similarly they combine Roman type and Kanji characters with effortless flair, making bilingual design look a breeze.
We also love them for their commitment to producing work with some kind of social conscience, whether it’s packaging for organic vegetables or a full-on protest poster they seem to have their hearts in a pretty thoughtful place. Which is nice.
- Dennis Church’s 12-year project sees him capture the visual noise of America’s streets
- Hudson Christie’s illustration trickery uses depth to create textured, flat pieces
- A rare interview with enigmatic and cherished photographer, Nguan
- Karen Asher photographs the people and happenings of Winnipeg, Canada
- Nieves founder Benjamin Sommerhalder shares his passion for books and zines
- Meet the speakers: Dougal Wilson, Ewen Spencer, GraphicDesign& and Gal-dem
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner