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Calligraphic sketches in black ink on cream paper. The handwriting includes a list of phrases, such as “01 Sunflower” and “05 Darkest Night”, alongside the name “Flora”.

Introducing...Painterly illustration and slick design from Braulio Amado

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Date
22 February 2013

When you move to New York to pursue a career in design, it’s a foregone conclusion that you’re going to have to reside in Brooklyn. That’s where all the creativity happens. And so it was for Portuguese graphic designer and illustrator Braulio Amado, who’s been based in Brooklyn and working for the likes of Pentagram for the last couple of years.

Braulio’s one of those enviable creatives who’s capable of accomplishing anything he turns his hand to. He’s managed to carve out a distinct and personal style of illustration comprised of expressive brushwork and traditional colour-separation techniques alongside an incredibly capable body of graphic design work. He’s also game on for a spot of art directing too. Sometimes it’s a wonder that guys like Braulio have enough hours in the day…

A laptop sits open on a desk in a dark room, illuminated by a small lamp. In the foreground, handwritten notes and a pen lie scattered across the surface.
Above

Braulio Amado: desk space

A black vinyl record with a white centre label sits on a wooden table. It is surrounded by various art books, magazines and a printed card.
Above

Braulio Amado: Work in progress

Where do you work?

I’m a freelancer but I mostly work full-time in agencies (right now, at Red Antler, in Dumbo, Brooklyn). At the same time, I recently became part of Alva. Since I moved from Portugal to NYC, all my freelance work outside these full-time gigs is done on my couch, living room coffee table or in cafes. I’m a member at 3rd ward, which is a school here in Brooklyn that also has a shared office space, so sometimes I also go there.

How does your working day start?

8:05 am. Coffee. Then subway ride. Then more coffee.

How do you work and how has that changed?

When I’m on a full time gig, I mostly continue to work on my personal or freelance side-projects when I get home in the evening. But over the years that started to drive me insane, so I try to balance everything out nowadays. While in school, I was working in ad agencies at the same time as studying, so I definitely learned how to be fast and how to deal with deadlines. I also learned how to deal with all-nighters.
But the NYC pace is way different from Portugal so I guess my way of working changed a lot .

Where would we find you when you’re not at work?

I go to music shows quite often and I love eating out. I also love to walk around the city with no particular destination.

A black and white typographic poster for a calligraphy event. Bold, flowing script reads “Adorno”, “Loma” and “Pittal”, while large, blocky numerals on the right read “05.07”. The bottom of the poster features the word “Schokoladen” and the time “8:00 PM”.
Above

Braulio Amado: Illustration

A colourful illustration of a person’s head, rendered in a psychedelic style with vibrant blue, yellow and pink tones. A yellow cap sits on their head with the word “velvet” written in cursive. Below the portrait, a detailed line-up for a series of events in April 2012 is listed in small black text.
Above

Braulio Amado: Illustration

A bold illustration for a poster featuring two orange, brain-like figures stacked vertically. Each figure has a single large eye and a pink heart shape. The green border contains text including “20ª Feira Laica” and “Internacional de Edição Independente”. Further details list dates in June and July and the location “Palácio de Laguares”.
Above

Braulio Amado: Illustration

A blue and purple poster featuring a detailed line drawing of a large, textured, oval-shaped mass resting on two rounded supports. Text at the top reads “24.11” and “Ackerstr. 169/170”, while the bottom reads “ANCIENT SKY” and “Go!Zilla”.
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Braulio Amado: Illustration

A bold illustration for a music event reads “Eternal Summers”. A surreal figure with a clock for a face is merged with a drum kit, a guitar and a keyboard. Below the figure, a blue banner reads “Bootleg Theatre” and lists the date as “Fri Sept 14”. Other text includes the line-up “Dz Deathrays”, “Bleeding Rainbow” and “Drug Cabin”, alongside the time “9pm” and price “$10 advance”.
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Braulio Amado: Illustration

An album cover for the “Parts & Bitters” EP by Thunder Tiger. The artist's name is written in white and red cursive script over a red ink blot and botanical illustrations. The tracklist includes “Departures (II)”, “Thank You Back” and “Lar (Home)”. The cover is framed by an orange border against a teal background.
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Braulio Amado: Illustration

An illustration of white, swirling calligraphy that reads “Thunder Tiger”. The text is set against a teal background and a large, textured pink shape, framed by green leaves.
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Braulio Amado: Illustration

A chaotic illustration of a cluttered desk, filled with overlapping objects in a vibrant, sketchy style. Globes, clocks, open books and laptops are scattered across the scene in a whirlwind of blue, yellow and pink.
Above

Braulio Amado: Illustration

An illustration of a white dog leaping across a bright orange background. A large, green, textured mask covers the dog’s head, featuring two white eyes and a pointed snout.
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Braulio Amado: Illustration

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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