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An open sketchbook with a painting on the right and handwritten text on the left. The painting shows vibrant red and purple flowers against a green grid background. The German text reads “Ich hab dich nicht vergessen. Ich erinnere mich, wie schön du warst. Ich vermisse dich sehr.”

Feng Yitong illustrates the surreality of living between cities

Part of our Ones To Watch series, illustrator Feng Yitong takes the diaristic and turns it into something dream-like with smudged colours and mixed media.

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Date
15 January 2026

Feng Yitong is part of It’s Nice That’s Ones to Watch 2025 – a curated list of next generation creative talent from across the globe. Discover all 65 creatives in our directory, here.

Feng Yitong is an Berlin-based illustrator from Xi’an, China whose comic and hand-drawn imagery addresses migration, cultural shifts and embodied experiences in heavy, tactile forms of oil pastels. Using skills learned from her bachelors and masters degrees in illustration at the Berlin University of the Arts, she sketches her emotive scenes, then scans before using a light table to transfer them onto A4 and A3 paper. Coloured with oil pastels, she achieves her sharp visual effects by using kitchen cloths to remove or mix thick marks to create defined edges and distinct segments of her dense images.

Exploring how we are shaped by shifts in language, rituals and architecture, her current project is a graphic novel about living between Xi’an and Berlin, navigating two homes through the common imagery of everyday life and scenes from dreams. “I’m drawn to these tiny, real fragments because they shape my life,” says Feng. “Drawing them feels like keeping a diary, but also like transforming the everyday into something dream-like on paper.” There’s a constant play between texts and media, with diary pages and emails making appearances alongside vivid cityscapes, skies and flowers – all things that day-dreamers get lost in.

Feng attempts to stay clear from being inspired by other artists in order to preserve her own vision, she comments: “as a creative individual, it’s sometimes rather sad to be influenced by other artists.” Focusing on the immediacy of her surroundings, Feng strengthens the link between the lived experience and the recorded experience, allowing creativity to thrive in the process from fact to fiction. In a way, it’s to capture the often fleeting imagined future of life. “I often think about dreams because living in Berlin was once the dream of my twenties,” says Feng. “Now that I’m here, inside that dream, life sometimes feels unreal – as if I might wake up at any moment and return to reality. So I try to record the traces of this dream-life, piece by piece.”

An illustration of a crowded dance floor rendered in bold red, black and blue. Several figures are captured in mid-motion, their forms stylised with heavy outlines and expressive poses.
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Feng Yitong: Tanzen (Copyright © Feng Yitong, 2025)

An illustration of a crying child in a yellow shirt, surrounded by rain and the word “MAMA--!!”. The scene is set against a larger, blurred background of two faces. English text at the bottom reads “THEN SHE WOULD SAY:”.
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Feng Yitong: Small Comic (Copyright © Feng Yitong, 2025)

A side-by-side comparison of a painting showing a single red tulip among green foliage. The left side shows the original textured artwork, while the right side shows a smoother version with a black grid laid over it.
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Feng Yitong: Process (Copyright © Feng Yitong, 2025)

An open book showing a vibrant painting on the left and a handwritten German text on the right. The painting depicts a sunset over a city skyline in bold reds, blues and yellows. The text is titled “Nachwort” and is written in a neat, cursive hand.
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Feng Yitong: Sunset (Copyright © Feng Yitong, 2025)

An illustration of two figures facing each other against a dark background. The figure on the left is pink and expressionless, while the figure on the right is red and crying.
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Feng Yitong: Mama Und Ich (Copyright © Feng Yitong, 2025)

An open sketchbook with handwritten text and illustrations. The left page reads “Why am I so curious about Berlin?” and “And fantasize about life there.” The right page features two colourful drawings with Chinese text. The top image shows a red, abstract figure, while the bottom shows a pink figure looking up at two blue figures.
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Feng Yitong: Zuhause (Copyright © Feng Yitong, 2025)

An illustration of a red-toned figure’s face, partially obscured by red rectangular bars. Hand-drawn text floats around the head, including phrases such as “CHECK MESSAGE”, “CALL MOM?” and “EAT SOMETHING?”. A blue banner at the bottom reads “HEIM-WEG-FREMD-WEG”.
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Feng Yitong (Copyright © Feng Yitong, 2025)

A mixed-media artwork across two pages. The left page shows a hand-drawn screenshot of an email in German, while the right page features an abstract, shimmering composition of yellow and blue tones.
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Feng Yitong: Lights (Copyright © Feng Yitong, 2025)

An illustration of a supermarket produce section. Piles of yellow and green bananas dominate the foreground, with red apples and other fruits on shelves behind them.
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Feng Yitong: Bananas (Copyright © Feng Yitong, 2025)

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Feng Yitong: Blumen (Copyright © Feng Yitong, 2025)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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