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A single bed with white linens sits in a sparsely furnished room. Through the window, a yellow McDonald’s logo is visible above a distant roofline.
A single bed with white linens sits in a sparsely furnished room. Through the window, a yellow McDonald’s logo is visible above a distant roofline.

Photographer George Muncey on making the most of what's available

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Date
17 June 2019

It’s very easy to overlook what’s right in front of you. This disregard of what’s easily available was the inspiration behind photographer George Muncey’s series Lonely Cloud: a comprehensive overview of life in modern-day Britain.

Lonely Cloud may well focus on the characters and communities that populate the British isles, yet this wasn’t always what George’s envisioned. “Most of my favourite photography stems from the tradition of The Great American Road Trip,” he explains. “Last year I managed to get myself out there, and drive from New York to Los Angeles. The trip was great, but my photos weren’t. I came back feeling pretty empty. I was just photographing scenes that were reminiscent of my favourite photographers, I didn’t really have anything that I could add to the conversation.”

George consequently turned his lens on his home country, transferring the tradition of road trip photography to his heritage as a means to better understand his identity. The photographer started off shooting the locations and people close to him. But he soon expanded his network, mapping possible routes and destinations that would take him across the British Isles. “There was a lot of googling, random finds on social media, and a fair few interesting places came from shows like Country File and The One Show,” George tells us. Although organisation was a key component of Lonely Cloud, it was often the case that one chance encounter would lead to another. The result is an organic study of contemporary British identity. With his soft, noninvasive gaze, George’s images offer an honest portrayal of the people and places he has met and photographed over the past few years.

When asked about his most memorable meeting, George shows no signs of hesitation. “By far the wackiest encounter was with Captain Beany (legal name) in Port Talbot,” he recalls. “I was there to take a landscape of the town from a nearby hill. While waiting for sunset for better lighting, we decided to go on Trip Advisor to see if there was anything to do. We ended up coming across ‘The Baked Bean Museum of Excellence’, which is housed inside of Captain Beany’s apartment. I don’t think I’ll ever meet another person with baked beans tattooed on their head instead of hair, and I think that says it all really.”

It is, in part, George’s openminded, inclusive and curious mindset that has produced Lonely Cloud. In the social media age, where people allegedly spend 24 hours of their week staring at their phones, George hopes his photographs can inspire homebodies to get away from their screens and out of their houses to reflect on the world around them. “I think the most valuable reward from making this work has been the newly found connection to Britain,” he says. “If just one person sees my photos and decides to get out and explore their own country, I’d consider that a success.”

Two people sit on a concrete kerb beside a path strewn with autumn leaves. One wears a blue jacket and a black beanie, while the other wears an orange gilet over a white shirt.
Above

George Muncey: Lonely Cloud.

A person stands with their back to the camera on a residential street, holding a white cane. Behind them, a brick apartment block is draped with numerous St George’s Cross flags that read “ENGLAND”.
Above

George Muncey: Lonely Cloud.

A person with a mullet haircut looks off to the side. They wear a dark, high-collared puffer jacket against a blurred background of trees.
Above

George Muncey: Lonely Cloud.

A high-angle view of a town nestled between a green hill and an industrial landscape. A multi-lane motorway curves through the residential area, leading towards a factory emitting a plume of white smoke.
Above

George Muncey: Lonely Cloud.

A small brick bungalow with a white front porch sits behind a green metal fence. In the background, several massive concrete cooling towers and a tall chimney loom over the residential street.
Above

George Muncey: Lonely Cloud.

A person in a light blue T-shirt and grey joggers stands on a road, holding a dog on a lead. The white dog wears a red sports jersey.
Above

George Muncey: Lonely Cloud.

A person sits cross-legged on a black beanbag, wearing a VR headset and headphones. They hold two controllers while wearing a blue Adidas sweatshirt.
Above

George Muncey: Lonely Cloud.

A rumpled bed with white linens and several pillows against a dark grey wall. A small, cream-coloured lamp sits atop one of the pillows.
Above

George Muncey: Lonely Cloud.

A large tree trunk in a wooded area is spray-painted with the words “HAIL SATAN”. The tree stands amidst a series of dirt mounds and jumps for mountain biking.
Above

George Muncey: Lonely Cloud.

A person sits on a wooden park bench, cradling a baby wrapped in a striped blanket and a white hat. A grey pram with a black bag attached stands on the grass beside them.
Above

George Muncey: Lonely Cloud.

A view of a London skyline through a large, multi-paned window. In the distance, skyscrapers rise above a dense landscape of residential blocks and brick houses.
Above

George Muncey: Lonely Cloud.

A red metal climbing frame shaped like a large bird or plane sits on a red rubber playground surface. The structure is surrounded by a blue fence and a backdrop of lush green trees.
Above

George Muncey: Lonely Cloud.

A person with short, bleached blonde hair lies back against a striped green and brown pillow. They wear a grey and yellow polo shirt with a dark blue collar.
Above

George Muncey: Lonely Cloud.

A worn football sits in the long grass of a garden. Behind it, a dark wooden fence is partially obscured by a leafy green bush and a small tree.
Above

George Muncey: Lonely Cloud.

A person with a buzzed haircut looks directly at the camera with a neutral expression. They wear a grey T-shirt and black trousers, standing against a plain, light-coloured fabric backdrop.
Above

George Muncey: Lonely Cloud.

The charred remains of a motorcycle lie on a patch of burnt grass. The metal frame and fuel tank are blackened and distorted by fire.
Above

George Muncey: Lonely Cloud.

A person stands outside a weathered wooden shed under the canopy of a large, leafy tree. In the foreground, two dark blue cars are parked on a dirt driveway, one partially covered by a black tarp.
Above

George Muncey: Lonely Cloud.

A person stands outdoors in a bright orange suit, matching bow tie and orange-tinted sunglasses. They stand with hands clasped in front of them against a backdrop of a plain, beige residential building.
Above

George Muncey: Lonely Cloud.

Small, clear plastic zip-lock bags are scattered across weathered concrete steps. The stairs are littered with dry autumn leaves and lean against a dark brick wall.
Above

George Muncey: Lonely Cloud.

A person lies on their back on a dark sofa, wearing black trousers. Several black ink tattoos are visible across their torso, including a cross and stylised lettering.
Above

George Muncey: Lonely Cloud.

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About the Author

Daphne Milner

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Daphne has worked for us for a few years now as a freelance writer. She covers everything from photography and graphic design to the ways in which artists are using AI.

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