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A digital painting of a brightly lit shopfront at night, glowing in saturated reds and yellows. Through the window, two figures stand close together, while another person walks past the open doorway.
A digital painting of a brightly lit shopfront at night, glowing in saturated reds and yellows. Through the window, two figures stand close together, while another person walks past the open doorway.

Holly Warburton illustrates tender moments of love and light

Painting on a tablet à la David Hockney, the Bath-based artist adds depth and texture to create a mood that is melancholic or nostalgic.

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Date
16 December 2019

With a warm, saturated palette and painterly marks, Holly Warburton’s view into everyday life is like looking out of a steamy night bus window. Based in Bath, the illustrator and animator has always been drawn to observational sketching; filling books with fleeting moments and faces. While studying Illustration and Animation at Kingston University, Holly began adding movement to her drawings and working digitally. Although switching between real and digital brushes, her mark making stays the same, creating layers upon layers of soft strokes that make trees flutter like hairs.

Painting on a tablet à la David Hockney, she adds depth and texture to create a mood that is melancholic or nostalgic. “It’s hard to pinpoint the exact feeling it gives, yet it is a familiar and recognisable feeling,” she tells It’s Nice That.

GalleryHolly Warburton: Sketchbook drawings. Cows/Dusty Green

An open sketchbook showing a charcoal drawing of a dark, wooded landscape on the right page. The left page contains a small grid of colour swatches and handwritten notes that read “Blues purples + light/dusty greens”.
Two pencil sketches in a notebook. The top drawing shows a person from behind looking out over a landscape with a palm tree, while the bottom sketch depicts a group of cattle in a field.

This familiarity may be due to having their roots in memories, real moments that Holly brings back to life from her sketchbooks. “They’re something I’ve witnessed in real life. For instance, a couple embracing or a solitary figure passing through a street at night,” she says. One of such pieces, Sisters, was a scene that captivated her when travelling on the underground.

Taking these moments forward into finished pieces, much of this process comes down to her palette: “the colour plays a big part in the mood and feeling of the work," she points out. Keeping her brushes translucent and light, Holly avoids flatness in order to build up layers and shadows.

This is most obvious in her current project, a series of digital illustrations titled Spirit Hold, in progress whilst she’s an artist in residence in rural Mendip, Somerset. Amongst the peaceful countryside, Holly’s been creating ethereal, longing images. “They depict ghost-like figures in vast natural spaces,” she says, “I’m enjoying playing with the vagueness of feeling and mystery of what is happening in the images,” she continues.

Using its square tile format, Holly curates her images on Instagram as though a continuous narrative, whereby each image becomes the page of a book or frame of a comic. Mysterious and poetic, her images allow introspective moments that make you pause on the continuous scroll of social media.

Whilst on the residency, Holly is also dedicating her time to educating young creatives by teaching her skills. She’s also taking part in various shows and exhibiting digital illustrations, pushing them to be considered equal to physical pieces, “it gives me confidence that people can see the value in digital work,” she says.

GalleryHolly Warburton

A painting of towering, billowing clouds in shades of grey and white. They are framed by deep red and dark teal skies, with a small white sliver of a moon visible above.
Above

A Quiet Visitor

A digital painting of small, white figures standing across a dark red landscape. Above them, a heavy, swirling sky of deep purple and orange suggests a storm or sunset.
Above

A Quiet Visitor

A painting of a wide landscape under a dramatic, swirling sky of orange and purple. In the distance, a small white house with a red roof sits beside a dark figure of a horse and a white dog.
Above

A Quiet Visitor

A digital painting of a bearded person with arms crossed, looking directly at the viewer. Two black cats sit on their shoulders against a textured, deep blue background.
Above

Bobby at Home

A painting of a figure in a long white cloak standing in a vibrant, colourful landscape. They face a small blue doorway set into a purple wall, framed by sweeping strokes of orange and red foliage.
Above

Bobby in the Garden

An abstract painting of a dark, jagged landscape under a swirling blue and purple sky. Bright red and orange brushstrokes suggest a fire burning at the base of a dark silhouette.
Above

Chaos

A digital painting of a glowing yellow building at night, partially obscured by dark foliage. A small, white figure stands on the wide steps leading up to the entrance. Above the bright interior, a blue neon sign reads “THE M”.
Above

Crossing Paths

A painting of a small, white figure walking across a vast, rolling landscape. A single, spindly tree stands on the horizon under a moody, purple and ochre sky.
Above

Distant

A digital painting of two figures standing in a doorway at night. One person wears a bright red dress, while the other is a dark silhouette against a warm, glowing interior.
Above

Making Amends

A painting of a small, white house nestled in a dark, moody landscape under a deep blue sky. Wind-swept trees frame the scene, their branches leaning sharply to one side.
Above

Spirit Hold

A digital painting of a dark, moody landscape at dusk. A small white figure stands by the edge of a deep blue lake, beneath a purple sky and rolling green hills.
Above

Spirit Hold

A digital painting of a translucent, wireframe house glowing against a dark purple and blue background. A small figure in white stands at a bright red door on the right side of the building.
Above

Spirit Hold

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About the Author

Peach Doble

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Peach joined us as a writer in the autumn of 2019 and wrote plenty of articles across art, illustration, film and everything in between.

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