Jarvis Cocker designs "gold" records for Paris show

Date
6 July 2015

Pulp frontman, solo artist and deep-voiced saviour of Sunday afternoon radio Jarvis Cocker has turned his hand to art, in the form of his Paris exhibition 20 Golden greats. The works on show are “gold records” – fictitious awards that explore the mythology of the artefacts of the same name so often cited in rock biographies. In truth, the accolades have no value whatsoever, according to the gallery showing Jarvis’s work, “not only because they usually aren’t at all made with gold, but moreover because they are generally crafted in a manner at best vaguely artistic, and at worst, perfectly kitsch."

Jarvis set about making a set of records bearing imaginary titles next to recognisable, real record label logos. “Titles are an important part of the music; in just a few words, they reflect an artist’s imagination,” he says. “As a songwriter, someone who works with words, I enjoy the challenge of expressing something in barely three words.”

He continues: “They started out as regular records, but in an apparent twist of egomania, I decided that they should be Gold records. At certain points in my career I received gold and platinum records but I always felt a little bit embarrassed, I was never quite at ease with the idea and always gave them to my mother because I certainly didn’t want them in my house.

“This was the challenge I faced with this exhibition: how to make the gold record something desirable, something with class and sophistication, because as far as I’m concerned, gold records, and especially those you see lined up on the walls of recording studios, are always rather ugly.”

20 Golden greats is on show at Red Bull Space Paris until 28 August

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Jarvis Cocker: 20 Golden greats

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Jarvis Cocker: 20 Golden greats

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Jarvis Cocker: 20 Golden greats

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Jarvis Cocker: 20 Golden greats

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About the Author

Emily Gosling

Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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