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An animation in which a person in a blue patterned shirt cooks at a stove against a red background. They hold an open cookbook in one hand and stir a steaming pan with the other.

João Fazenda’s playful portfolio of New York Times and New Yorker illustrations

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Date
18 July 2017

Portuguese illustrator João Fazenda’s works “aim to explore the endless relationship between drawing and narrative in its many ways,” he tells It’s Nice That. The creative’s practice spreads across “illustration, drawing, animation, comics and occasionally painting,” but it is his attention to detail that makes his editorial illustrations stand out in particular.

After studying both graphic design and fine art painting at the Lisbon Faculty of Arts, João’s drawings have an illustrative looseness to them, using digitally painted layers to add texture. Not coming from one design background in particular, João’s interpretation of a narrative or an article is inventive, filling a singular illustration with various creative counterparts open for interpretation.

As a result, the illustrator works with numerous publications, notably and regularly, The New York Times and The New Yorker. From upcoming cultural or sports events to politics and book reviews, the illustrator has an eye for plucking out the best bits of an article and drawing them into a digestible nugget by applying his playful style.

The illustrator’s talent for editorial illustration has been recognised numerous times, by American Illustration, Communication Arts, Society for News Design, 3×3, also winning the books category of the World Illustration Awards in 2015, and the Portuguese National Illustration Prize in 2016.

An illustration of a person with dark hair tied back, sitting in a studio and painting on a canvas. The room is filled with colourful abstract artworks, a blue suit on a hanger, and a deer head mounted on the wall.
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João Fazenda: The New Yorker

An illustration of a person reclining in a bright red, angular bathtub against a blue background. Their head and one leg are visible, while the tub casts a heavy black shadow on a pink floor.
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João Fazenda: The New Yorker

An illustration of a person in a blue suit kneeling beside a yellow chair. They hold a white and green DNA helix, using it to repair a broken chair leg.
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João Fazenda

An illustration of a person in a yellow top and white apron conducting a garden. They hold a baton in one hand and stand before a music stand with an open book.
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João Fazenda: The New Yorker

An illustration of the White House against a bright red background. A black silhouette of a person walks away from the building, leaving a trail of footprints on a long, dark shadow.
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João Fazenda: The New York Times

An illustration of a surreal landscape where oversized objects create a city. A small figure walks across a thin green bridge that connects a red building to a giant black piano. In the background, a large telescope sits atop a hill beside a cluster of buildings.
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João Fazenda: Público

An illustration of a green stepped landscape populated by figures of varying scales. A large figure in a white shirt and black trousers strides across the foreground, while a seated figure in an orange garment looks on from the left.
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João Fazenda

An illustration of people enjoying various outdoor activities in a lush, hilly landscape. Figures are shown rafting down a river, cycling, hiking, horse riding and painting.
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João Fazenda: The Telegraph

An illustration of a person in a green blazer leaning over a miniature model of a home. They carefully place a small black chair into a room containing a table and a sofa.
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João Fazenda: The New Yorker

An illustration of a person draped in a US flag, standing over a figure fallen on the ground. A person in a yellow patterned dress looks away as three green aircraft fly overhead against a black sky.
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João Fazenda

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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