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A steel arch bridge spans a quiet road under a pale sky. The industrial structure frames a view of distant trees and a curving path.

Photography: Josef Schulz catalogues abandoned checkpoints across Europe

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Date
25 March 2014

Polish-born photographer Josef Schulz has an extraordinary body of work to his name. The 48-year-old’s imagery deals predominantly with mundane man-made objects iconicised by his lens. But his images aren’t quite as simple as they first seem. Using digital manipulation Josef transforms his originals into familiar yet otherworldly scenes, removing the typography from commercial signage and transplanting urban architecture from its cluttered surroundings into bare backgrounds. His Übergang series saw him traipsing across Europe documenting abandoned military and national checkpoints, subtly blurring their backgrounds in post-production to remove them from their original context – which gives them the appearance of being captured in a different era entirely.

A large, red geometric canopy with a triangular truss structure extends over a quiet road. To the right, a circular speed limit sign reads “10”.
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Josef Schulz: Übergang

A weathered petrol station canopy stands over an empty road, its metal roof casting a deep shadow. A blue circular sign with a white arrow points right, set against a backdrop of hazy green trees.
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Josef Schulz: Übergang

A small, corrugated metal guard tower stands on a single concrete pillar. A rusted metal ladder leads up to the cabin, set against a backdrop of misty pine trees.
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Josef Schulz: Übergang

A concrete overhang shelters a small building with large glass windows. A road curves away into a hazy landscape of forested hills, passing a large blank billboard.
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Josef Schulz: Übergang

A heavy, dark metal structure with thick X-shaped beams supports a wide overhanging roof. Tucked beneath the beams is a small, glass-walled shelter with a double door.
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Josef Schulz: Übergang

A brutalist concrete building with a heavy, cantilevered wooden roof. A sign on the facade reads “BAJANSENYE” in bold, white capital letters.
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Josef Schulz: Übergang

A complex wooden lattice ceiling with curved beams is supported by a single, thick concrete pillar. In the distance, a white building with a series of undulating, wave-like roofs sits against a backdrop of hazy green mountains.
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Josef Schulz: Übergang

A bright yellow telephone booth stands under a weathered industrial canopy. The structure is framed by white concrete pillars and yellow steel beams, overlooking a motorway.
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Josef Schulz: Übergang

A small, white concrete building with narrow vertical slits for windows stands on a paved area. In the background, a hazy mountain range rises under a pale sky.
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Josef Schulz: Übergang

A small, blue-tiled building with a slanted glass roof and a set of stairs. It stands alone in a grey, open car park under a pale sky.
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Josef Schulz: Übergang

A small, weathered concrete building with rusted metal shutters stands alone on a paved road. In the background, snow-capped mountains rise under a pale, cloudy sky.
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Josef Schulz: Übergang

An abandoned border crossing with two small brick booths under a tiled roof. A paved road curves past the structures toward a distant, hazy landscape.
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Josef Schulz: Übergang

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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