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A charcoal and pencil drawing across two pages depicts a boxing match. The left page shows a sequence of panels capturing the movement of a fight, while the right page features a larger scene of two figures boxing. A line of text at the bottom reads “Out of the blue a man screams.”

Leo Flügler’s whispery graphite comic tells the story of a female boxer struggling against sexism

Inspired by processes of research and biography, this promising illustrator tells emotionally powerful stories as they really happened in monochromatic pencil drawings.

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Date
20 January 2026

Leo Flügler is part of It’s Nice That’s Ones to Watch 2025 – a curated list of next generation creative talent from across the globe. Discover all 65 creatives in our directory, here.

Leo Flügler is a Leipzig-based illustrator working across comics, tattooing and narrative drawing whose project Tyger Tales tells the story of Marian ‘Lady Tyger’ Trimiar, the first female boxer to fight for her rights both in the ring and in court. Working with mechanical pencil, graphite powder and pastel chalk, Leo’s soft and smudgy materials tell the story of the oft-forgotten Marian Trimiar with a ghostliness that is a testament to the overt and ambient racism and sexism of female boxing, transforming microaggressions and unconscious bias into a whispery visual form.

“It works for me best to draw analog, edit digitally and add text or colour my drawings in a second step. But for this I already need to know the text elements, so it usually takes me really long to figure out the different elements before I can really start working and puzzle everything together,” says Leo. “Most often I work with already existing stories (not strictly texts) and love to do lots of research and deep dives to find links and parallels in other stories. It’s important to add historical context and give the stories more dimension.” Whilst layering fragments and puzzling different stories and aspects together, Leo is drawn to fairy tales, mythology, transformation, queer history, archives and of course, boxing, the type of sport that exerts a violence that is softened and told alternatively in Leo’s monochrome graphite textures.

“In the case of Tyger Tales, it is really important to me to mention that all text in this book are quotes and information by Lady Tyger herself, friends of hers and newspaper articles. The story is not imagined by me,” says Leo. “The text is a rearrangement of Tyger’s stories and minimally altered to create a narrative. I am only using what Tyger told herself.” In this stunning comic-narrative, Leo centres Marian as an underdog struggling against sexism in the boxing industry – and tells the story as faithfully as possible, whilst allowing unseen moments of her life come to life in deeply felt illustrations that show friendship, pain, determination and legacy.

GalleryLeo Flügler: Tyger Tales (Copyright © Leo Flügler, 2025)

A black and white comic strip across two pages. The panels show a person sleeping and eating, followed by scenes of them boxing. Text bubbles read “I slept.” “Ate.” and “Ran boxing.”
A charcoal comic strip across two pages. The panels show figures boxing and close-up portraits, accompanied by text about the sacrifices and sexism faced in the sport.
A black and white comic strip across two pages. The left page shows a series of panels featuring a person in a white jacket and figures boxing. The right page shows a large portrait of a person wearing a white headband and jacket, with a small panel above them of a boxer with raised arms. A caption at the bottom reads “Those who came after me got a lot more out of this.”
A two-page spread from a graphite pencil comic. The left page shows a person looking up and a figure on a television screen, with the caption “My father was an alcoholic. I loved him but that made it a little difficult for me.” The right page depicts a figure lying on the floor of a building lobby. Captions read “He would sometimes get drunk and lie down in the lobby of the building” and “He would get robbed of all our money for rent, food, it was all gone.”
A black and white comic strip across two pages. A person in a white dress is shown in various panels, first in close-up and then running through a city environment. Text at the bottom of the left page reads “Growing up in the projects wasn’t all bad. We played jumprope.” The right page reads “We used to get into little streetfights.”
A two-page spread from a graphic novel featuring charcoal sketches. The panels depict a person in various poses and scenes, accompanied by text about being “hit” and the origin of a name.
A pencil sketch from a graphic novel across two pages. On the left, a close-up shows a person’s legs and feet in boxing boots, with a speech bubble reading “Round 2”. The right page contains four panels showing a person in a white outfit preparing for a fight. They are seen from various angles, including a portrait of them looking calmly at the camera.
A charcoal drawing across two pages of a sketchbook. The left page shows a sequence of panels depicting a person wrapping their hands and wrists in bandages. The right page features a large, close-up study of a bandaged hand alongside smaller sketches of two people.
A black and white comic strip across two pages. The panels show a person in boxing gear resting and preparing, with a final caption that reads “We thought it would never happen.”
A pencil sketch comic spread across two pages. The panels depict a person holding a baby and embracing another person, with a speech bubble reading “Around 12 o’clock they allowed us to go on.”

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Leo Flügler: Tyger Tales (Copyright © Leo Flügler, 2025)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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