Take a look at the consummate layout of London-based graphic designer, illustrator, and art director, Luke Fenech. There is a beautiful immediacy to his work – which involves clean, measured, and very appealing arrangements of text and pictorial content.
Successfully dealing with negative space is surely one of the key tasks of such a designer. Luke’s Tabula Rasa magazines – a term meaning “blank slate” – as a philosophical idea, suggests that we are initially blank canvases, establishing our sense of being via experience and perception garnered through the five senses.
Fenech takes this notion and translates it into publications which categorise content into touch, taste, hearing, sight, and smell. The results are beautifully produced works which appeal to all the aforementioned senses and highlight their capacities; the Sight page of Issue 2, for example, emphasises the eye’s power to focus and absorb visual information. Lovely stuff!
- Food for thought on the day the Global Climate Strike begins
- “I always thought Photoshop was a glorified MS paint”: James Lacey on his journey into design
- “If I am flagging on a shoot, she directs me”: Matthew Stone on working with FKA Twigs
- French illustrator Nicolas Ridou makes “the atmosphere the story” in his hypnotic works
- A routine, good music and Charlie Bones: Sean Bate on his graphic design inspirations
- In The Boys, Rick Schatzberg photographs his group in their 66th year of friendship
- “All you see is lazy photography everywhere”: Martin Parr discusses his career, Brexit and obsession
- The work of Xiangyu Liu is weird and fantastically unpredictable (some NSFW)
- Caterina Bianchini Studio designs a dog-themed identity for a conveyer belt cheese restaurant
- Ikea invites people to “try on” Virgil Abloh furniture collection at LFW
- Hans Findling on his experimental and multidisciplinary approach to design
- Introducing the It’s Nice That Graduates of 2019!