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An abstract illustration featuring a composition of bold, colourful geometric shapes. Vibrant red, blue, orange and pink stripes and semi-circles overlap in a structured, rhythmic pattern.

We chat with the man behind Panda Bear's incredible graphics, Marco Papiro

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Date
30 January 2015

Adoring pretty much anything Panda Bear-related (his amazing interactive website, his brilliant music, his very lovely hair), we felt it was high time we shed some light on the man behind his wonderful record sleeve designs, Marco Papiro.

Marco is a graphic designer and musician living in Basel, Switzerland, who balances teaching at an art school with creating these stunning graphics, which marry typographical experimentation with geometric forms to brilliant effect. For us, the boldness and bright, earnest palette of the designs made the record itself take on a new feel, one that was more open and vivid than the more pared-back aesthetic of Panda Bear’s other albums. But it seems that wasn’t necessarily the intention of Marco, who ended up creating the designs having worked on a tour poster for Panda Bear and their mutual friend Sonic Boom a couple of years back.

“I didn’t know his music very well, and I didn’t even try to let it inspire me,” he says. “In my experience that leads to results that are too obvious and boring. Maybe it’s just me. Noah [Lennox, Panda Bear’s real name] gave me inputs about the colours (candy bar minty green), that was helpful. I usually think in monochrome.”

An abstract painting featuring bold, geometric shapes in bright pink against a green background. The composition consists of overlapping rectangles, circles and sharp angles.
Above

Marco Papiro: PBVSGR

A bold, colourful graphic composition made of thick vertical and horizontal stripes. The stripes form abstract, stylised letterforms in shades of pink, orange, green and blue.
Above

Marco Papiro: PBVSGR

An abstract illustration composed of bold geometric shapes and stripes in pink, orange, red and lime green. The composition creates a fragmented, typographic effect through a grid of overlapping lines and circles.

There’s a great deal of technical skill and a very keen compositional eye behind the typography, but Marco is equally nonchalant about that side of things. “No big ideas really, just trial and error with the letters PBVSGR,” he says. “[I sent him] a lot of proposals, and some of them resurfaced on the website, as I allowed him to use them at his own risk.”

Marco’s other work further demonstrates his wonderful way with type, offering more subdued colour-ways but equally skilled experiments with letterforms, be it on other sleeves, music promo or a series of posters created on fax paper.

“The given words and letters inspire a typographic system, with fixed simple elements (mostly basic geometric forms) and rules for the arrangement,” he explains. “The result is only visible at the end, I never know how things will look like when I start.”   

On his site, Marco describes himself as a “graphic designer, violin player, modular musician. DJ on Demand. 39 other things too.” God knows what the 39 other things are, but if he’s half as good at them as he is at graphic design, we’ve got a bonafide polymath on our hands.

A black and white poster for a record store. The word “Plattfon” is spelled out in large letters created from a collage of vinyl records and record sleeves. Below this, a clean typographic block reads “Plattfon / Record Store”, followed by a list of products and the store's Basel address.
Above

Marco Papiro: Plattfon

A typographic poster in orange and cream featuring bold, geometric lettering. It reads “James Egger–Res” and “Defer”, with the date “Fr 25. Jan 2008” and the venue “Das Schiff”.
Above

Marco Papiro: Poster

A typographic poster in red and white featuring abstract, geometric letterforms. The text reads “Ensemble Phönix Basel with Kasper Toeplitz and Zbigniew Karkowski”, listing performance dates and locations in Basel and Genève in 2012.
Above

Marco Papiro: Karkowski

A typographic poster for the “Jolt Sonic Festival” in Basel. The layout uses bold, brown columns and large numerals to list a line-up of performers and dates across 12 November.
Above

Marco Papiro: Fax Jolt

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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