Launch Recite Me assistive technology
A 3D render of several figures entwined in a chaotic heap, their bodies merging with thick, sweeping brushstrokes of paint. The figures are rendered in pale tones, contrasted by bold streaks of blue, white, and brown.

Amazing digital brushstrokes and figures in Matthew Stone's new Healing with Wounds series

—
Date
11 July 2016

A mass of bodies, limbs and expressive digital brushstrokes, artist Matthew Stone’s work is as strange as it is beautiful. Having worked with artists including FKA twigs alongside his personal practice, the artist is now showing a series of new digital paintings called Healing with Wounds at Somerset House in London.

The images look to raise questions about identity and conflict, all the while demonstrating deft digital skills. Each is created as a “virtual sculpture,” with lines created on computers before printed them onto raw linen. Shadows and foreshortening are then added to create a sense of depth and perspective.

The work forms part of the site’s Utopia celebrations, marking the 500th anniversary of Thomas More’s Utopia. While the images certainly have elements of a utopian vibe in their vibrant colours and fluid strokes, the piles of bodies lend themselves more to the weirder side of things. According to Somerset House, Matthew “seeks to highlight the central role that interdependency plays in shaping our capacity to heal” through depicting “diverse bodies both in play and at war.”

An abstract painting of a human figure composed of thick, textured brushstrokes in a variety of colours. The figure stands against a plain beige background, surrounded by loose, sweeping strokes of paint.
A 3D render of a human figure composed of thick, swirling strokes of colourful paint. The figure is captured in a dynamic, twisting pose against a plain beige canvas background.
A 3D render of a figure created from thick, swirling strokes of oil paint. The figure is composed of vibrant reds, greens, and whites, set against a plain beige background.
A 3D render of a person’s head and shoulders, their form created from thick, swirling strokes of dark brown paint. One hand is raised above their head, while a second, white-painted hand reaches in from the right.
A close-up portrait of a person whose face is partially obscured by thick, textured strokes of beige and cream paint. The paint is applied in heavy layers, leaving only the eyes and mouth visible against a plain neutral background.
A 3D render of thick, swirling ribbons of paint in shades of mint green, white, blue and red. The glossy, sculptural forms twist and overlap against a plain beige background.
A 3D render of a distorted human figure composed of thick, swirling strokes of paint. The figure is a chaotic mix of white, blue, red and yellow, appearing to melt into a blocky, abstract landscape of similar brushstrokes.

Share Article

About the Author

Emily Gosling

—

Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.