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A collage featuring a vintage engraving of a person in a long dress, whose head is replaced by a large, pale yellow moon with a human face. The figure is set against a page of text titled “Wonders of Engraving”, with a light blue geometric shape and a white paint stroke layered over the composition. A sharp red line cuts across the lower half of the image.
A collage featuring a vintage engraving of a person in a long dress, whose head is replaced by a large, pale yellow moon with a human face. The figure is set against a page of text titled “Wonders of Engraving”, with a light blue geometric shape and a white paint stroke layered over the composition. A sharp red line cuts across the lower half of the image.

Michael Ezzell turns literature into picture books with surrealist illustrations

These tarot-esque drawings render whimsical scenes inside of used books.

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Date
21 May 2025

When looking at Michael Ezzell’s dazzling illustrations, all lovingly furnished inside of pre-owned books, you can sense the influence of tarot cards and surrealism all over the page. “It began in high school as an altered book project, where we took old or discarded books and added new things in,” Michael says. “It was a way of re-imagining an object that no longer served its singular purpose, turning it into a portal to another realm.” The Junior Classic is Michael’s ongoing project where he recycles neglected books and breaths new life into them with gorgeous scenes that resemble The Son Of Man by René Magritte or Lewis Caroll’s Alice In Wonderland.

“When I’m at antique stores, I now search for weird and obscure manuals, or children’s books with lots of pictures or funky text formatting,” Michael says. Drawing direct influence from Greek and Roman mythology as well as classical architecture, pre-existing drawings are transformed via collage into chalices resembling The Panopticon, or pillars that open a portal to an ocean and janus-faced men with roman curls. A fitting tribute to the escapism of children’s books, Michael’s illustrations provoke childhood reverie and daydreams where castles in the air could really exist.

An illustration of a person’s face and torso, fragmented into overlapping sections. A red, organic shape resembling a heart is held in their hand, with a small cloud of smoke rising from it. At the top, a line of text reads “my whole head: to get rid of him, so I could get on with thought number two.”
Above

(Copyright © Michael Ezzell, 2024)

An illustration on textured brown paper shows two classical columns framing a view of a blue sea and sky. A faint, oversized pair of eyes peers through the columns, and the word “Oblivion” is repeated three times at the top.
Above

(Copyright © Michael Ezzell, 2024)

An illustration of a face with six eyes and red curly hair, layered over a page of a book titled “The Peacock’s Complaint.” Inside the open mouth is a detailed engraving of a figure riding a mythical creature through clouds. A gold chain with a padlock is fastened around the neck.
Above

(Copyright © Michael Ezzell, 2024)

An illustration of a red cardinal perched on a thin grey pole. Below the bird, four yellow hands emerge from a central point, with one hand holding a red string attached to the bird’s beak. In the top right, a grid contains the Latin Sator Square text: “SATOR AREPO TENET OPERA ROTAS”.
Above

(Copyright © Michael Ezzell, 2024)

A collage on aged paper shows a figure composed of a dense cluster of pea pods. A single eye and a gloved hand emerge from the vegetation, while bare feet walk at the bottom. Text at the top reads “GARDENING FOR PROFIT.” and a caption to the right reads “Fig. 70.—AMERICAN WONDER PEA.”
Above

(Copyright © Michael Ezzell, 2024)

An illustration of a person’s head overlaid on a yellowed page of a book. A rectangular cutout in the forehead reveals a skull, while the text above reads “Chapter IV” and “A gentleman with clean hands may carry the disease”.
Above

(Copyright © Michael Ezzell, 2024)

A collage featuring a brown bird perched on a classical plinth that reads “ACT FOUR”. To the left, three stylised faces in green and yellow tones look upwards toward a swirling blue and grey shape.
Above

(Copyright © Michael Ezzell, 2024)

An illustration on brown paper shows a figure with a wide, toothy grin and open hands. The top of their head is sliced off, with a row of flames rising from the cut. Between the flames and the head, the text reads “SUCCESS AND HAPPINESS.”
Above

(Copyright © Michael Ezzell, 2024)

An illustration of a tall, golden vessel with seven arched openings, each containing a single staring eye. Latin text at the top reads “HORACE” and “in sinu ferens deos”, with the same phrase repeated at the bottom.
Above

(Copyright © Michael Ezzell, 2024)

A collage of a stylised face layered over a textbook page titled “FUNCTIONS OF THE CEREBRUM”. A grey bird is positioned where the brain would be, with a red arrow piercing through the head.
Above

(Copyright © Michael Ezzell, 2024)

An illustration of a person in a blue tunic and striped skirt, wearing a green hat. They hold a yellow, sun-faced lion by the neck. The word “FORCE” is written in stylised letters at the top.
Above

(Copyright © Michael Ezzell, 2024)

An illustration of a double-ended playing card featuring a stylised figure with curly yellow hair and a red heart. A central white band contains a “NOTE” stating that after Troy, Helen reestablished herself as a “conventional woman”.
Above

(Copyright © Michael Ezzell, 2024)

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(Copyright © Michael Ezzell, 2024)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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