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A black and white poster for a screening of Arthur Jafa’s “The White Album”. The background is a distorted, high-contrast image of swirling grey and black textures. Text at the bottom reads “Screening in room 204, 32 Edgewood Ave, Yale School of Art” on “Wednesday December 1”. Four screening times are listed between 11am and 4:30pm.
A black and white poster for a screening of Arthur Jafa’s “The White Album”. The background is a distorted, high-contrast image of swirling grey and black textures. Text at the bottom reads “Screening in room 204, 32 Edgewood Ave, Yale School of Art” on “Wednesday December 1”. Four screening times are listed between 11am and 4:30pm.

Mike Tully explores the ways in which graphic design can serve different communities

The New York-based designer takes a conceptual approach to “reconsider” what design can be.

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Date
19 October 2022

It was after studying undergraduate graphic design at Parsons in New York and working in small studios that designer Mike Tully found his “place” in editorial environments, like The New York Times and The Brooklyn Rail. In these spaces, Mike tells us that he learnt the “ways in which design, research, writing and dialogue can work together on larger scales in service of different communities". It’s this thinking that now forms the basis of Mike’s design approach.

Attending Yale’s MFA in graphic design was also a formative experience for Mike, and he explains that the course “reinforced that, while I love conceptual projects that reconsider what can be thought of as design, I’m still deeply invested in typography, structure and an instinctive process”. At Yale, Mike utilised the resources around him and explored the intersection of ephemerality and artefacts. As such, his designs incorporated screenings of Arthur Jafa films, maintaining a bootleg web radio server and sound recording projects. Showing a design practice so full of innovation and cultural experimentation, Mike clearly has an illustrious career ahead.

Two bright yellow book covers are laid side by side against a black background. The cover on the right features a black-and-white image of a person behind a diagonal striped band and the word “Retrospecta” in large vertical type. The cover on the left reads “Yale School of Architecture” in a matching vertical layout.
Above

Mike Tully: Retrospecta 44. Publication for Yale School of Architecture. Designed with Immanuel Yang (Copyright © Mike Tully, 2021).

Several long, narrow yellow and black strips are scattered across a black background. Each strip features the number “44”, the website “yaleretrospecta.org” and a high-contrast image seen through thin vertical lines.
Above

Mike Tully: Retrospecta 44. Publication for Yale School of Architecture. Designed with Immanuel Yang (Copyright © Mike Tully, 2021).

Two open pages from a course catalogue titled “Retrospects 44”. The pages feature four columns of text detailing various architecture and design modules, including “Architecture Foundations” and “Spatial Concepts of Japan”.
Above

Mike Tully: Retrospecta 44. Publication for Yale School of Architecture. Designed with Immanuel Yang (Copyright © Mike Tully, 2021).

A long, white strip of printed paper curls across a grey floor. It features a mix of black and white photographs, diagrams and columns of text.
Above

Mike Tully: Community Memory (Copyright © Mike Tully, 2020)

A person’s hand holds open a folded white zine resting on a mossy rock and brown mulch. The publication is titled “Fabrikai Volume VI, Issue III” and features a layout of dense text and the headline “A Field: To Seed, or Not to Seed”.
Above

Mike Tully: Paprika! Volume 6, Issue 3: “A Field: To Seed or Not to Seed.” Designed with Jun Jung (Copyright © Mike Tully, 2020).

An animation in which white pixelated text scrolls across a purple background. It is an invitation to a “Yale Photo Lecture Series talk by Aria Dean” at the Yale School of Art on 24 March.
Above

Mike Tully: Aria Dean Yale Photo Visiting Artist Announcement Screensaver (Copyright © Mike Tully, 2021)

Three white postcards with different designs are laid against a black background. One features a gold blurred circle and the text “AM radio” and “special live performance by Laszlo Horvath”. Another shows the words “am radio” integrated into a blue hatched pattern, while the third shows a grey padlock with “AM RADIO” embossed on it.
Above

Mike Tully: AM Radio with Alvin Ashiatey (Copyright © Mike Tully, 2021)

Four views of a clear cassette tape and its case against a black background. The case features the title “A GREEN LOOP” and a short description of a guided sound walk.
Above

Mike Tully: A Green Loop (Copyright © Mike Tully, 2022)

Three versions of a minimalist poster on a dark background. The text reads “SUN LESS” at the top and “SANS SOLEIL” at the bottom, with event details for the Yale Film Archive in the centre. The posters are rendered in white, orange and yellow.
Above

Mike Tully: Chris Marker’s Sans Soleil Screening Flyers for the Yale Film Archive (Copyright © Mike Tully, 2021)

Three rectangular stone slabs lean against a pale wall. They feature the text “NICO WHEADON”, “Thursday Nov. 5 12:30pm”, “A lecture at the Yale School of Art” and “Free and open to the public”.
Above

Mike Tully: Nico Wheadon Lecture Announcement (Copyright © Mike Tully, 2020)

An open book showing two pages of printed text. The left page includes a small, grainy black and white photograph of a person using a computer terminal, captioned “A person at the Telegraph Ave Co-op terminal, ca. 1984.”
Above

Mike Tully: “On Community Memory” for Are.na Annual 2022 (Copyright © Mike Tully, 2022)

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Mike Tully: Arthur Jafa’s The White Album Screening Poster (Copyright © Mike Tully, 2021)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. ofh@itsnicethat.com

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