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An illustration on an ochre background with the text “Review Of The Year 2013: Wildcards”. Below the text are two white cards, one featuring a question mark and the other an exclamation mark.

Review of the Year 2013: Rob Alderson picks his wildcards of the year

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Date
26 December 2013

Another 12 months gone by and hundreds of articles later, picking five was nigh on impossible. In fact it was impossible; as you’’ll see I’ve abused my position and to sneak in references to two extra posts as I just couldn’t whittle it down. So sue me yeah? (Please don’t sue me.) Anyway enough of my prattling on here are my picks of 2013…

A blue fabric-covered book features a central photograph of a small object resting on a blue cushion. Text above the image reads “Israel 70–80” and the name “Nick Ballan” appears below.
Above

Nick Ballon & Studio Thomson: Ezekiel 36:36

An open book displays two photographs of an industrial workspace. The left image shows large cylindrical drums on wooden supports, while the right shows a long workbench lined with equipment.
Above

Nick Ballon & Studio Thomson: Ezekiel 36:36

An open book shows two photographs side by side. The left image shows a room with a desk and chairs, with several layered collages leaning against the wall. The right image shows a person in a dark naval uniform and cap standing before a white curtain.
Above

Nick Ballon & Studio Thomson: Ezekiel 36:36

An open book shows two photographs side by side. The left page shows a symmetrical view down a curved, empty underground tunnel, while the right page shows a cluttered workshop with various tools and equipment.
Above

Nick Ballon & Studio Thomson: Ezekiel 36:36

An open book shows two photographs side by side. On the left, a person stands against a plain background holding a blue folder. On the right, several decorative flags stand in a cluttered room.
Above

Nick Ballon & Studio Thomson: Ezekiel 36:36

An open book displays two photographs side by side. The left shows a person standing in a warehouse among rows of blue and white transit seats. The right shows a sparse office with a few chairs and a green metal stand.
Above

Nick Ballon & Studio Thomson: Ezekiel 36:36

An open book shows a photograph of five people sitting in a small, cluttered office. They are positioned in front of a bookshelf filled with binders and folders.
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Nick Ballon & Studio Thomson: Ezekiel 36:36

Nick first showed me these images of the Lloyd Aéreo Boliviano some time ago and so it was a treat to sit down with him and go through the sumptuous book of the project come the summer. The airline was once a great source of national pride in Bolivia but chronic mismanagement has seen it fall into near-terminal (no pun intended) decline. Nick told a much bigger story through this singular study and did so with respect and restraint. Studio Thomson did a killer job designing the book as well; the inset of LAB’s retro airline graphics symptomatic of the excellence at work.
www.itsnicethat.com/articles/nick-ballon-ezekiel-3636

It was some flats of Joe Sparkes’ animation that first caught my eye on then Kingston University stand at D&AD’s New Blood, but when I saw the final piece I was really blown away. I’m not someone necessarily inclined to sentimentalism, but I found this almost unbearably sad and poignantly beautiful. I was solo tempted to include the Troy McLure super-cut in this list but that would do Joe a disservice.
www.itsnicethat.com/articles/joe-sparkes-heavyweight

A large yellow giraffe sculpture appears to be stepping through a minimalist white rectangular building. The giraffe’s head and neck emerge from the top, while its legs extend from the underside.
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Hondelatte-Laporte: The Giraffe Children’s Centre

Sometimes it can be hard to explain the It’s Nice That approach to covering those areas like architecture, fashion and product design where being quite serious appears to be the order of the day. I tend to fall back on a rather lame “We know what works for us when we see it,” but there is no better example of this idea in practice than this. If I was a Parisian youngster a) I’d probably be better dressed but b)I could imagine nothing more exciting DANS LE MONDE than going to nursery every day at a building that has a giant yellow giraffe sticking out the top. It’s exactly this combination of playful idea and technical excellence that makes this our kind of architecture.
www.itsnicethat.com/articles/hondelatte-laporte-the-giraffe-childcare-centre

A grid of white booklets, each featuring the word “INTERFACE” and a different geometric graphic. The designs include circles of red and green dots, a dashed red ring, and concentric purple and yellow circles.
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Patrick Fry: Shakespeare’s Globe Interface

As a point of full disclosure I know Patrick and enjoyed at least seven beers with him over the course of 2013. If anything though it grated me when I realised he was responsible for one of my favourite graphic design projects of the past year. Trying to combine the history and cultural heritage of Shakespeare’s Globe theatre with a cutting-edge contemporary digital networking event is a pretty tall order, but Patrick smashed it out the park. Clean, colourful and communicative with a nice composite approach that mirrors the very notion of networking. Splendid stuff.
www.itsnicethat.com/articles/patrick-fry-shakespeares-globe-interface

An illustration in an open book shows a person in a pink sweater gesturing wildly in an office. A bald figure with glasses watches them from the foreground. Text at the top reads “Make it go kinda like this.”
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Rami Niemi: Art Directors Club 2013 Annual

An illustration from an open book shows two people looking at a computer screen. The screen displays a simplified landscape of mountains and a sun, while text above reads “Can you make it look like an instagram?”.
Above

Rami Niemi: Art Directors Club 2013 Annual

An illustration in a book shows a wealthy figure reclining on a lounge chair, surrounded by attendants. Text at the top reads, “Yeah... our budget is tight. Could you do the illustrations for free?”
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Rami Niemi: Art Directors Club 2013 Annual

When it came to illustrators, two articles from the past 12 months were in the running for this list, both of whom provided work with bags of personality for big-name clients. I loved Olly Moss’ poster for this year’s Oscars which saw him reimagine the famous statuette as all the Best Picture Nominations right back to 1927, but Olly is just edged out of this selection by the irrepressible Rami Niemi. The Finn was commissioned by DDB New York to put his stamp on the Art Directors Club 2013 Annual and Rami delivered in some style, with some brilliant lampoonery of the frustrations surrounding the creative process.
www.itsnicethat.com/articles/rami-niemi-adc-annual

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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