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An illustration featuring a series of surreal scenes on a pale green and mauve background. A pair of floating eyes looks down at a hand holding a match, a sliding drawer revealing a landscape, and a figure in a green cloak crouching beside a jagged rock.
An illustration featuring a series of surreal scenes on a pale green and mauve background. A pair of floating eyes looks down at a hand holding a match, a sliding drawer revealing a landscape, and a figure in a green cloak crouching beside a jagged rock.

Go your own way: the self-publishing comic book mogul, Sammy Stein

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Date
9 November 2016

Illustrator Sammy Stein is an example of how self-publishing your work, starting a zine, or initiating a collective of artists are all great alternatives to promote your practice. The Paris-based comic book artist has achieved all three, developing his own route to “experiment with different narrative mediums”.

This narrative Sammy describes is often joyfully nonsensical. By creating his own platform to sell his work Sammy has built a fanbase that expects no rules or regulations, they go to him for unconventional comics unavailable elsewhere. Back in 2009 he co-founded Collection Revue an independent magazine showcasing contemporary drawings as well as Lagon Revue in 2014 a collective project of exploratory Risograph and silkscreen comics.

Within the illustrator’s own series The Work storylines are depicted in long formatted comic strips, with curious drawings and diagrams that you can’t help but scroll further and further down to find out more. The illustrator additionally uses an unfamiliar colour palette compared to most comic drawings. Sammy chooses a deadpan selection of colours, browns and beiges frequently combined with a vibrantly popping centre piece to draw the readers eye to a subject. Within The Work this can be seen in varied objects from hands, architecture or a rose, whatever Sammy sees fit.

An illustration of a city skyline behind a body of green water. In the foreground, a small, makeshift shelter sits on a barren brown landscape. A white envelope falls from the sky toward the shelter, while a circular inset shows a close-up of a hand reaching for a piece of paper.
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Sammy Stein: The Work

An illustration of purple hands holding and sorting through a pile of white envelopes and papers. One sheet of paper is held up to reveal a dense, abstract cluster of black dots.
Above

Sammy Stein: The Work

An illustration of a jagged, grey rock formation set against a pale green sky and a muted purple ground. The structure is surrounded by a large, dark grey cloud of smoke or shadow.
Above

Sammy Stein: The Work

An illustration of a step-by-step instructional guide laid out in a grid of 18 panels. The drawings depict a process involving mixing ingredients in bowls, constructing a wooden box, and using a rat and a red rose.
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Sammy Stein: The Work

An illustration of a person in a light green outfit building a wall from pale purple bricks. They are surrounded by various half-finished brick structures and scattered debris across a white ground.
Above

Sammy Stein: The Work

An illustration in four panels showing a person sculpting a figure from brown clay. The final panels reveal a distorted, humanoid sculpture with a wide-eyed expression and an open mouth.
Above

Sammy Stein: The Work

An illustration in two panels. The top panel shows a person curled up inside a pink, cubic structure. The bottom panel shows the same structure from the inside, where the person is now a sculpture on a plinth in a gallery.
Above

Sammy Stein: The Work

An illustration of a single red rose with green leaves against a light blue background. Below the flower, a small white figure lies collapsed on a white surface scattered with red petals.
Above

Sammy Stein: The Work

A four-panel illustration by Sammy Stein showing a white sculpture of a person dissolving in the rain. Over the sequence, the figure melts into a puddle and eventually disappears entirely.
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Sammy Stein: The Work

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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