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A bright red shopping trolley stands alone in a concrete loading bay. Behind it is a white tiled building with a dark car parked to the left.
A bright red shopping trolley stands alone in a concrete loading bay. Behind it is a white tiled building with a dark car parked to the left.

Cinematic portraiture and landscapes from creative duo, Scandebergs

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Date
3 April 2017

Scandebergs, is the creative duo of Stefano Colombini and Alberto Albanese who create sharp photographs of crisp portraiture and vast landscapes.

“Originally from Italy, we moved to London in 2011 and started helping each other on our individual photographic projects,” Stefano and Alberto tell It’s Nice That. “We soon realised we could join forces, prompted by a shared aesthetic sensibility and complementing skills.” Their varying creative background – Stefano studied Creative Direction while Alberto studied Fine Art and Photography – creates a breadth of work that mixes both disciplines into a style that has caught interest from Wonderland magazine, Fendi and Missoni.

When creating work, Scandebergs says: “We like to remember things the way we like them. This way is not necessarily the way things really are.” The result is a portfolio that represents authenticity, “but authenticity doesn’t necessarily need to be congruent with reality; a subject becomes more authentic the closer it gets to the idea we have of it”.

The strong narrative that runs throughout Scandebergs’ work is due to an appreciation and understanding of performance through photography. “Performance is an aspect very present in the images we produce, in the sense that they consume actions and construct fictional identities.” On the other hand, still images of landscapes provoke a separate narrative. “Landscapes also have a vital position within our work. The light laying on the same field during different hours of the day make the space one and many at the same time, opening up to possibility and abstraction.

“We try to depict spaces with no specific temporal and geographical coordinates. It is one of our main challenges as Scandebergs to be able to catch this sophisticated ever-changing presence.”

A person peers through a gap in blue horizontal window blinds. Only their eyes and the bridge of their nose are visible through the glass.
Above

Scandebergs

A person holds a small circular mirror, reflecting their own face. They are seen from behind, with their reflection illuminated by a warm red light against a dark background.
Above

Scandebergs

A landscape of rolling volcanic hills under a pale blue sky. A winding road cuts through the dark earth, leading towards a sunlit, reddish-orange peak.
Above

Scandebergs

Bare trees stand across a dry, golden hillside. In the background, a range of deep purple mountains sits under a clear blue sky.
Above

Scandebergs

A person wearing glasses and a tan jacket stands by a window. Light filters through horizontal blinds, casting striped shadows across their face and clothing.
Above

Scandebergs

A person stands in the middle of a residential street in front of a brick house. They wear a long black coat over a patterned shirt, wide black trousers and a white skullcap.
Above

Scandebergs

A wide, single-storey building with a ribbed white facade and a plain white lower wall. Red lettering on the front reads “LIQUOR” and “PHOTO CENTER”.
Above

Scandebergs

A person in a dark suit stands in a dimly lit room, holding their hand up against a wall. A bright spotlight casts a sharp shadow of their hand and head onto the surface. To the right, a window with closed blinds glows in deep red.
Above

Scandebergs

A person wearing glasses and a grey blazer holds a white telephone receiver to their ear. They wear a clear plastic overlay over their suit and bright green trousers, standing before a purple window with blinds.
Above
Left

Scandebergs

Right

Scandebergs

A person lies on a bright blue floor, legs resting up on a chrome and leather chair. They wear brown leather trousers and a pink blazer, talking on a white corded telephone.
Above

Scandebergs

A person leans against a wooden fence post under a clear blue sky. They wear an open dark green jacket and matching trousers held up by suspenders, with a red and white climbing rope tied around their waist.
Above

Scandebergs

A person looks upwards and smiles, their face lit by a warm orange glow. They have curly dark hair and are set against a solid blue background.
Above
Left

Scandebergs

Right

Scandebergs

A person smiles at the camera, balancing a large, heart-shaped slice of a tree trunk on their shoulder. They wear a distressed blue plaid shirt and matching red and blue tartan trousers against a black background.
Above

Scandebergs

Two people pose in bright blue, structured garments against a plain white background. One person wears a long, quilted coat and skirt, while the other wears a matching jacket and trousers with long fringe.
Above

Scandebergs

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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