Photographer Scarlett O’Flaherty just graduated from the University of Plymouth, and despite being based in the South West her lens stretches across the north of England and Europe. Her developed style, “focuses on a social documentary practice and slow-journalism through an anthropological approach,” she tells It’s Nice That.
Scarlett takes time with each of her projects, creating images that are poised and carefully curated as a group. Each project is relatively small in number – a series of the photographer’s is usually around eight final images – but each singular image has been refined to make it in the batch.
One project, Powolani przez Boga “is a documentation of the feminine adoration of God that explores beyond a superficial perspective of women’s role in the Catholic Church,” she explains. In the series, Scarlett seeks “to understand what makes these women give their lives to God,” documenting the Felician Franciscan Congregation. “The sisters display an inner contentment that many in contemporary society would envy. This comes from the belief that they have been called by God,” she says. “The calling and dedication to the church is not tangible, some would argue that the presence of God does not exist, however for the women of the Felician Franciscan Congregation it determines their path through life.” Scarlett’s use of light in the series adds an ethereal edge to the images, but the spaces and personalities of the congregation are documented as affable, rather than daunting.
Another project by the photographer, Coal Dust and The White Rose, is a further example of Scarlett using her camera to document social commentary. “The miners’ strike of 1984 was a defining moment in Margaret Thatcher’s attempt to destroy the power of the trade union movement,” she explains. Despite being a topic regularly explored within photography and graphic design, the photographer’s documentation of the miners strike, documenting it in context to the present day, applies a fresh approach. “What has become the most bitter dispute in modern industrial history continues to resonate today and shaped the lives of those involved. Coal Dust and The White Rose is a collective memory of the men from the South Yorkshire coalfield.”
- It’s Nice That and Camden Council host evening of talks by LGBTQ creatives
- Michael Marcelle’s photography is “like a broken funhouse mirror in a gay haunted house”
- Books From The Future's experimentally collaborative and investigative publishing
- Issue four of Beauty Papers screws the formula of beauty, giving it a “brave new face”
- Molly Matalon shoots a fashion editorial in the desert, and things get brotherly
- Laura Callaghan on illustrating a lifestyle where women make all decisions
- Peter Funch has photographed the same people on the same street for nine years
- North reveals full Science Museum rebrand, and reacts to online criticism
- GraphicDesign& outline three projects that successfully support and impact mental wellbeing
- Dove apologises and removes advert showing a black woman becoming a white woman
- Apple announces launch of gender neutral emojis
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity