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An illustration of a figure with a brown paper bag over their head, wearing a red jumper and green trousers. They hold a pink lighter while standing beside a large blue dog. In the background, a car is engulfed in flames under a red sun.

Simon John Thompson might just be the craziest illustrator alive

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Date
18 December 2012

You know what your favourite illustrator is probably missing, 100 abstract naked chicks hanging out on a beach. No? What about a paper bag-masked arsonist watching a hawk remove a pig’s entrails? Burning witch electrocuting an armless woman? We give up, maybe you’ve seen it all before but to us Simon John Thompson’s illustrated world is 100 per cent batsh*t crazy. And we freaking love it!

You see on the one hand Simon has an effortless knack for creating intensely surreal imagery that’s fuelled by pop-culture, news reports, the French avant-garde and vintage cartoons, and on the other he’s a terrifically skilled printer, producing immaculate screen and risograph works on paper in which the colours have been overlaid to perfection. This balance of imagination and skill make him a force to be reckoned with – and he’s not even graduated university yet. Look out world, Simon John Thompson’s about to unleash a fury of visceral illustration upon you!

An illustration of a white wolf with bold blue shadows, standing in a green landscape. Behind the wolf, a blue river flows towards rolling green hills under a purple and orange sky.
Above

Simon John Thompson: Into the Wild

A colourful painting of a purple figure reclining against a yellow pillar, their head obscured. A blue, ghostly figure with claws emerges from a large fire to the left, while small blue cartoon characters watch from below.
Above

Simon John Thompson: Welcome to sérigraphie

An illustration of a chaotic, surreal scene featuring a red-skinned figure firing yellow beams from their eyes. They are surrounded by a green dragon, a blue wolf, and a distorted Bugs Bunny.
Above

Simon John Thompson: Welcome to sérigraphie

A colourful print of a large, spotted leopard prowling through a dense jungle. Below the leopard, a small red figure with a white face crouches in the grass.
Above

Simon John Thompson: Scream Panther!

A surreal illustration of a figure with a brown paper bag over their head, holding a small bottle. They stand beside a blue dog with a long red tongue, looking down at a headless body on the ground. In the background, a large bird attacks the body while a green car burns under a red sun.
Above

Simon John Thompson: Welcome to sérigraphie

An open book featuring a vibrant illustration of a beach scene. A palm tree and a yellow sun sit on the left, while the right page reads “PRÉTEXTE À DESSINER DES FEMMES NUES”. Below the text, a pink figure is positioned upside down with a pineapple between their legs.
Above

Simon John Thompson: Prétexte a dessiner des femmes nues (excuse to draw naked women)

An illustration in a book with a bright pink background. A large yellow banana and green apple sit in a white bowl, while a small blue cat looks up in shock at a floating pink brain.
Above

Simon John Thompson: Prétexte a dessiner des femmes nues (excuse to draw naked women)

An illustration of several pink figures in a bright blue sea. They interact with a large orange rock, a blue dolphin and a red brain-like creature with tentacles.
Above

Simon John Thompson: Prétexte a dessiner des femmes nues (excuse to draw naked women)

An illustration across two pages shows several pink, muscular figures with yellow hair in various poses. A small blue figure stands in the centre, surrounded by the larger figures against a purple and orange background.
Above

Simon John Thompson: Prétexte a dessiner des femmes nues (excuse to draw naked women)

An illustration of several bright pink figures on a sandy beach under a yellow sun. The figures are in various athletic poses, surrounded by colourful balls and a small blue bird.
Above

Simon John Thompson: Prétexte a dessiner des femmes nues (excuse to draw naked women)

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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