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An illustration of two simple, flat shapes on a white background. A peach-coloured semi-circle sits above a jagged green shape.
An illustration of two simple, flat shapes on a white background. A peach-coloured semi-circle sits above a jagged green shape.

Ayong Son on the benefits of being a multi-disciplinary creative

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Date
24 September 2019

Ever since she was young, Ayong Son has been naturally drawn to code due to a desire to make her own website. “I was keen to make a good website, and accidentally encountered the term ‘graphic design’ on the internet as a consequence,” she explains. Going on to study graphic design at university, Ayong has always remained true to her roots in digital, and also extended her practice to include illustration, too. Now defining herself as an image-maker, graphic designer and web developer, the versatile Seoul-based creative combines her skills in a way that is nothing short of joyous to the eye.

Her work often reflects worries that have previously plagued her, or the thoughts in her head. Drawing subjects repeatedly again and again, the creative gradually refines her image-making until it feels pared back and in line with her signature aesthetic, one she has worked hard to define. “In the past, I’ve had many worries regarding the multidisciplinary ways in which I work,” explains Ayong. “There was never enough time to finish something perfectly, and I thought I would be seen as less professional compared to someone who only focused on one field.” But when she voiced these concerns to a tutor, she was told that there are some kinds of visuals that can only exist as a multi-disciplinary creative. And with this in mind, ever since, Ayong has embraced her diverse interests, allowing them to shape her work in equal part.

In her personal work, she tackles projects which combine and celebrate her three primary disciplines, incorporating elements of illustration and graphic design into websites. In Background, a self-initiated web developing project, Ayong asked herself: “How can understanding visual codes affect our identity?” In turn, “it’s a piece of work that expresses how the identity of objects varies according to its surrounding environments in web technology.” By juxtaposing objects of the same shape on different backgrounds side by side, she raises questions on how we recognise shapes and how colour plays a part in that identification.

In other work, she’s designed a web page for an art book distributor in Seoul, creating an interactive design where the books move from side to side depending on the position of the phone. But looking to the future, Ayong hopes to further her multifaceted approach to design by hiring herself to make more funny and weird work. One idea, involves her selling homemade baking kits to make your own cookie house at home. At the same time however, the same house will be built on a website. “I want to continue to be a planner, designer, illustrator, developer and art director to help workers collaborate well in various fields,” she says finally of her ambitious yet exciting future ahead.

An illustration of a red tomato with a green leaf above a yellow lemon. Both fruits are rendered in a simple, flat style with black outlines.
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Left

Ayong Son

Right

Ayong Son

An illustration of a yellow block of soap resting on a white and blue soap dish. Below it sits a simple blue silhouette of a fish.
Above

Ayong Son

An illustration of red and orange circles arranged in white containers against a green background. The circles vary in number across five rows, creating a mirrored pattern of quantity between the two columns.
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Ayong Son

A graphic poster featuring a green and black oval pattern resembling a watermelon. A small red oval on the right reads “Jeonju Intl. Film Festival”. Text at the bottom reads “겨울의 수박 A WINTER WATERMELON” and “감독 DIRECTOR 황유정 HWANG YU-JUNG”.
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Ayong Son

A black and white graphic poster featuring architectural line drawings and high-contrast shapes. The layout includes a building facade at the top and two circular cut-outs showing interior structural details. Korean text at the bottom reads “파티 파티”, with smaller event details and dates listed above it.
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Ayong Son

An illustration on a light blue background featuring four simple graphics. Korean text at the top reads “손김건설”. Below are a grid, a flat piece of ice, a rounded white shape, and three black penguins.
Above

Ayong Son

A graphic poster on a black background featuring a stack of colourful shopping baskets in red, white, blue and yellow. Text at the top reads “GOODS IS GOOD” and “2019.2.23 – 8.25”.
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Ayong Son

An illustration of several hands holding white plates against a red background with black vertical lines. Text on the left reads “테이블 세터” and “THE TABLE SETTER”. Further text on the right provides event details, including the phrase “Turn on the table” and dates in September and October 2016.
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Ayong Son

An illustration of a stylised yellow berry with a green leaf on a white background. The fruit is composed of small, rounded shapes with red dots in the centre of each.
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Left

Ayong Son

Right

Ayong Son

An illustration of a tree with a red trunk and a large, rounded green canopy. Small yellow fruits are scattered across the foliage and hang from the lower branches.
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Ayong Son

An abstract illustration featuring a cluster of overlapping white circles against a split background. The top half is solid green, while the bottom half consists of alternating red and white horizontal stripes.
Above
Left

Ayong Son

Right

Ayong Son

An abstract illustration in green, red and yellow. A dark green silhouette of a figure is layered over a background of red and yellow horizontal stripes.
Above

Ayong Son

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About the Author

Jynann Ong

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Jynann joined It’s Nice That as an editorial assistant in August 2018 after graduating from The Glasgow School of Art’s Communication Design degree. In March 2019 she became a staff writer and in June 2021, she was made associate editor. She went freelance in 2022.

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