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An animation of a black and white poppy with a large, stylised letter laid over it. The letter shifts subtly in colour and form between pale yellow, cream and brown.
An animation of a black and white poppy with a large, stylised letter laid over it. The letter shifts subtly in colour and form between pale yellow, cream and brown.

Studio Leichtfried’s thoughtful identities marry digital systems with analogue experiences

The Vienna-based studio has created work for an array of clients, from cinemas to gardeners, and sees collaboration as the key to a successful project.

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Date
24 April 2024

For Paul Leichtfried, identities should never solely consider the digital realm, they need to be holistic, married with the physical and analogue worlds too. “A hover animation on a website has the same significance as a print finish,” he says. “We need to develop visual systems that meet the demands and challenges of our digital age without losing touch with analogue experiences and interactions.” This sentiment translates beautifully in the studio’s branding for the gardener J. Mullan, which highlights all four seasons, rather than relying on just spring and summer. The identity blends cohesive digital systems, with natural imagery, tied together by a tactile business card debossed with the company’s elegant floral logo.

Raised in a small town in the Austrian Alps, Paul has studied in Berlin, Austria and Plymouth and he’s gained a wealth of experience working in leading design studios and agencies across Barcelona, London, Vienna and Mexico, before founding Studio Leichtfried in 2016. Despite going solo, Paul still sources his “greatest inspiration” from collaborating with other creatives, and he regularly teams up on projects with friends like Zwupp, and Daniel Triendl. “You always come across new ways of thinking, approaches and perspectives that broaden your own horizons,” says Paul. “This human creative exchange is my greatest source of inspiration, but it also drives me when I see what others are doing and how they take things to a next level.”

A person holds a smartphone displaying a website menu in German. The screen features a purple and gold abstract logo above a list of links including “Unser Ansatz”, “Projekte” and “Kontakt”.
Above

Studio Leichtfried: J.Mullan (Copyright © Studio Leichtfried, 2024)

A lime green business card rests on a dark, budding tree branch. A minimalist logo is embossed in the centre of the card.
Above

Studio Leichtfried: J.Mullan (Copyright © Studio Leichtfried, 2024)

A graphic design layout with a pale yellow background and a purple header. German text reads “Als LandschaftsgestalterInnen suchen wir nach Lösungen, die Mensch, Architektur und Natur zusammenzuführen.” A black and white photograph shows the dark silhouettes of tree branches against a pale sky.
Above

Studio Leichtfried: J.Mullan (Copyright © Studio Leichtfried, 2024)

A diptych of two images. On the left, a person holds a small card featuring a close-up of an eye and the text “NICE TO MEET YOU”. On the right, a green tote bag features the word “FORA” in large, pink serif lettering.
Above

Studio Leichtfried: Fora (Copyright © Studio Leichtfried, 2024)

An animation of an open book flipping through different pages. The pages feature German and English text including “FOR CURIOSITY” and “WIR SIND NORMAL COOL”, alongside a photo of hands with liquid droplets and an abstract iridescent landscape.
Above

Studio Leichtfried: Fora (Copyright © Studio Leichtfried, 2024)

A pattern of thin black lines on beige paper forms a grid of abstract glassware and bottles. The word “flein” is repeated across the design in a serif typeface.
Above
Left

Studio Leichtfried: Flein (Copyright © Studio Leichtfried, 2024)

Right

Studio Leichtfried: Flein (Copyright © Studio Leichtfried, 2024)

A dark glass bottle with a white cap that reads “flein FIZZ”. In the blurred background, green grapes and orange fruit rest on a white cloth.
Above

Studio Leichtfried: Flein (Copyright © Studio Leichtfried, 2024)

A person holds up a card featuring a sketch of a black dog with a red tongue. The text reads “HUBERT” at the top and “LIES DAS!” at the bottom.
Above

Studio Leichtfried: Erste Bank IPO (Copyright © Studio Leichtfried, 2024)

Three red brochures for the brand “Eruption Winzer” are laid out against a black background. The designs feature bold typography and a dark silhouette of a landscape, with the phrase “Kultur der Reibung” on the first cover.
Above

Studio Leichtfried: Eruption (Copyright © Studio Leichtfried, 2024)

An illustration for Votiv Kino de France featuring a waiter in a tuxedo carrying a tray. He walks across a bright red background next to the word “SERVICE” in bold blue type. Below, two sections titled “WERBEN IM KINO” and “PRESSEANFRAGEN” feature simple line drawings of a person with sunglasses and a photographer.
Above

Studio Leichtfried: Votiv Kino De France (Copyright © Studio Leichtfried, 2024)

A website layout for Votiv Kino de France featuring a Wes Anderson special. A bold red banner displays the name “Wes Anderson” in large blue type, flanked by the date “Ab 21.03”. Below, a film programme for 17 January 2019 lists movie titles and showtimes.
Above

Studio Leichtfried: Votiv Kino De France (Copyright © Studio Leichtfried, 2024)

A split image showing a website menu on the left and a stack of white adhesive tape rolls on the right. The menu features the headings “WORK” and “ABOUT” with a list of categories and links. The tape rolls are printed with the words “BUREAU E” and “A” separated by a black bar.
Above

Studio Leichtfried: Bureau EA (Copyright © Studio Leichtfried, 2024)

A white paper shopping bag sits on an orange sports court. The bag features a bold graphic design in red, blue and brown, with the text “design monat graz” and the website “designmonat.at”.
Above

Studio Leichtfried: Designmonat Graz (Copyright © Studio Leichtfried, 2024)

Hero Header

Studio Leichtfried: J.Mullan (Copyright © Studio Leichtfried, 2024)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. [email protected]

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