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A painting of a person in a dark suit sitting on a folding stool, fishing in a small, circular puddle. They lean their head on their hand with a weary expression, a metal bucket resting on the ground beside them.

An insight to Teun Hocks' surrealist self-portraits

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Date
22 November 2016

Teun Hocks is a Dutch artist who creates self portraits with the utmost charm. “In my images I aim to achieve not so much, offering a mirror sometimes, or/and gaining a smile, and maybe a good feeling,” Teun tells It’s Nice That. This is a refreshingly humble aim, and one that is achieved with heart-warming artworks despite their surrealist edge.

The artworks featured are each part of Teun’s Analogue Works painted pieces that are the result of a thorough process from the artist. “First I start out with almost no ideas, or vague ones, drawing thoughts I have about all kinds of situations that get me dreaming.” The artist explains that once he is settled upon a concept, “I build and paint a setting, checking and controlling everything by taking digital photos to compare to my drawings”.

Next, once a desired light is found, “I take my place, and start to take polaroids (using a self-timer and longer cable release). If I am satisfied with the result I take eight photos on 6×9cm black and white film. Looking at the contact sheet, I decide which negative is the one to print. If not I start all over again.” This extensive process doesn’t stop there either. “I make three large black and white prints on fibre-based photographic paper, tone them to sepia, glue them on aluminium and start to colour them with transparent oil paint.”

The result of Teun’s perfectionism is a series of artworks that leave the viewer bewildered. Are they paintings? Are they photographs? The answer as the artist explains is both, and his ability to merge the mediums flawlessly is brilliantly baffling.

A painting of two hands emerging from a calm, grey sea. One hand holds a glass of red wine, while the other holds a lit cigar.
Above

Teun Hocks: Analogue Works

A person in a dark suit stands on a sandy beach, looking out to sea with a pipe in their mouth. A large plume of white smoke rises from the pipe, mirroring a similar column of smoke from a ship on the horizon. A brown leather suitcase sits on the sand beside them.
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Teun Hocks: Analogue Works

A person in a long green coat stands on a grassy hill, looking up at the sky. A dozen hats of various styles and colours float in the air above them.
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Teun Hocks: Analogue Works

A painting of a person in a grey suit bending double, their head and torso inside a red booth. The booth stands alone in a flat, grassy landscape under a pale sky.
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Teun Hocks: Analogue Works

A person in a dark suit lies asleep on a grassy field at night, surrounded by open books. A crescent moon hangs in the dark sky above a distant, tree-lined horizon.
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Teun Hocks: Analogue Works

A person in a dark suit stands in a vast, empty field under a grey sky. They lean forward to water a small, flat object on the ground using a metal watering can.
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Teun Hocks: Analogue Works

A person in a green hunting suit and hat walks across a barren, brown landscape holding a rifle. Behind them, a fox crouches low to the ground, watching their every move.
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Teun Hocks: Analogue Works

A painting of a person with grey hair sitting at the base of a large tree, reading a book. An axe leans against the trunk beside them in a quiet, open landscape.
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Teun Hocks: Analogue Works

A painting of a person in a grey suit and purple scarf standing in a snowy landscape. They look upwards into a falling snow, holding a long-handled net.
Above

Teun Hocks: Analogue Works

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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