Nothing says fun design like cartoon appendages being used as graphic devices, so that would make The Rodina (made up by Vit Musil, Radim Petruška and Tereza Rullerová) very fun indeed. Unapologetically aesthetic glitches and textures with a graphic vernacular that sounds/looks like – without taking itself too seriously – more art than design, but still equally as communicative.
From VJ animations to a whole load of posters and flyers and identities, classic design this is not. However, the quality and consistency of the studio’s prolific output will no doubt afford it longevity, delivered as it seemingly is from its own principality where the ruling leader is the God of Internet, the most Honourable Post Modern.
- Kim Gehrig's latest commercial for Covergirl combines comic chemistry with cosmetic commentary
- Watch Nicos Livesey explain how he made his embroidered BBC World Cup spot
- Photographer Niall McDiarmid travels from town to town to capture the essence of Britain
- Design studio Varv Varv's well-reasoned practice is an enquiry into "making things public"
- Radical Essex is a publication that aims to uproot the county’s misguided stereotypes
- Petrichor: a short film about snooker and mental health, beautifully packaged by Housework Press
- “Create a flag which represents your own Island”: explore culture through design in our latest Insta brief
- Five creatives visually respond to the question: What makes something art, anyway?
- Plexopolis: a series of games to educate and inform students on accomplished design
- “Unporn” is the photo stock collection for those suggestive, naughty moments
- Chris Dorley-Brown’s sharp images of East London are actually made up of many multiple shots
- Suzanne Saroff's meticulously arranged photographs alter perceptions