Nothing says fun design like cartoon appendages being used as graphic devices, so that would make The Rodina (made up by Vit Musil, Radim Petruška and Tereza Rullerová) very fun indeed. Unapologetically aesthetic glitches and textures with a graphic vernacular that sounds/looks like – without taking itself too seriously – more art than design, but still equally as communicative.
From VJ animations to a whole load of posters and flyers and identities, classic design this is not. However, the quality and consistency of the studio’s prolific output will no doubt afford it longevity, delivered as it seemingly is from its own principality where the ruling leader is the God of Internet, the most Honourable Post Modern.
- Will Anderson on his Bafta-nominated animation, Have Heart
- Bonjour Garçon combines photography and graphic design to make "strong and delicate" work
- Friday Mixtape: Thomas Pratt curates a mix for a night out in the Bahamas
- The spontaneous, saturated and energetic portfolio of photographer Anton Gottlob
- Alexander Mourant's photographs trace a road-trip he took down the length of Africa
- Video artist Natalia Stuyk on crossing from the digital to the physical world
- Google Creative Lab's animated series tells the story of iPhone users who tried the Pixel 2
- Photographer Michael Northrup’s striking new book is a visual timeline of a former relationship
- The Scouts rebrand aims to reflect a “more relevant image of Scouting”
- "Something bold, something pure" – the 50-year long legacy of 2001: A Space Odyssey
- Yishu Wang's wonderfully disorientating photography
- Airbnb launches new bespoke font Cereal, designed with Dalton Maag for online and offline fluidity