Nothing says fun design like cartoon appendages being used as graphic devices, so that would make The Rodina (made up by Vit Musil, Radim Petruška and Tereza Rullerová) very fun indeed. Unapologetically aesthetic glitches and textures with a graphic vernacular that sounds/looks like – without taking itself too seriously – more art than design, but still equally as communicative.
From VJ animations to a whole load of posters and flyers and identities, classic design this is not. However, the quality and consistency of the studio’s prolific output will no doubt afford it longevity, delivered as it seemingly is from its own principality where the ruling leader is the God of Internet, the most Honourable Post Modern.
- Miranda July’s latest work is a high-tech portrait of the Uber driver who took her to interview Rihanna
- Léa Augereau's figurative paintings feature a diverse range of strong and confident women
- Artist Adam Ferriss' photography filters are better than any on Snapchat
- Graphic designer Jaap Smit physicalises the web in his data-driven practice
- How Alex Prager made the world stop and stare
- Photographer Louise Reinke's latest shoot is inspired by the legendary Dionne Warwick
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- Crayola launches a makeup range based on its ubiquitous crayons
- Beyoncé and Jay Z take over the Louvre for Apeshit music video
- Why counter-culture matters: Rough Trade launches publishing venture designed by Craig Oldham
- Greg Sharp animates a video that builds in momentum for the catchiest song of the year