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A cubist illustration of a fragmented architectural scene with several abstract figures. The composition features sharp angles, a spiral staircase, and a palette of blue, red and ochre on aged paper. Handwritten Cyrillic text appears in the top left and right corners.

Delving into the sketchbooks of one of the 20th Century's most important filmmakers

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Date
11 January 2016

Poring over someone else’s stetchbooks, half-finished ideas and doodling is always a fascinating and revelatory process. This is especially true when these scribbled workings are formed by those we know best for huge projects, such as the Russian filmmaker Sergei Eisenstein, who was behind revolutionary films including The Battleship Potemkin and Ivan the Terrible. His sketches for costumes, characters and other plans are to go on show next month at London’s GRAD gallery in a show entitled Unexpected Eisenstein. Around 70 works are on show including sketches and other printed materials that according to the gallery, demonstrate not only the filmmakers polymathic abilities, but his passion for all things English.

“This alternative strand to Eisenstein’s creative legacy is illustrated through his diverse, imaginative and often surprising graphic works,” says GRAD. “Ranging from quirky caricatures sketched in his youth to angular theatre designs for Macbeth in the 1920s and drawings inspired by D H Lawrence and Arthur Conan Doyle, this was a means of theoretical and professional experimentation as well as a personal expression. Displayed alongside film clips, photographs, objects and radio broadcasts from the BBC archives, Eisenstein’s drawings will reveal the range of one of the greatest creative minds of the 20th Century.”

Unexpected Eisenstein runs from 17 February – 30 April 2016 at GRAD Gallery


A pencil sketch of a figure in ornate, heavy robes and a pointed crown, holding a long staff. Handwritten Russian text at the top reads “Царь Иван в финале.”
Above
Left

Sergei Eisenstein: preparatory drawing for Ivan the Terrible,1942, pencil on paper
©Russian State Archive of Literature and Art, Moscow

Right

Sergei Eisenstein: preparatory drawing for Ivan the Terrible,1942, pencil on paper
©Russian State Archive of Literature and Art, Moscow

Two pencil sketches on a single sheet of aged paper show a ghostly, draped figure wearing a pointed hat. The figure appears to be floating or gliding through a gothic architectural space. Handwritten notes in Cyrillic and the name “Wolman” are scribbled around the frames.
Above

Sergei Eisenstein: preparatory drawing for Ivan the Terrible,1942, pencil on paper
©Russian State Archive of Literature and Art, Moscow

A pencil sketch on tan paper shows two figures in ornate, theatrical costumes. One figure wears a large ruffled collar and a crown, while the other has a covered face and a raised hand.
Above
Sergei Eisenstein: Costume design for King Duncan in Macbeth, performed at the Central Educational Theatre, Moscow, 1922. 1921-22, graphite pencil and watercolour on paper

©Russian State Archive of Literature and Art, Moscow

A costume sketch for the character King Duncan in a production of Macbeth. The figure is rendered as a heavy, rounded shape in red, blue and brown, wearing a pointed helmet and chunky boots. Russian text at the top reads “Macbeth” and “Costume motif ‘King Duncan’”.
A line drawing of a long queue of people waiting in a row. The figures are dressed in heavy coats and hats, some carrying bags or parcels.
Above

Sergei Eisenstein: Queue,1916, ink on paper
©Russian State Archive of Literature and Art, Moscow

A line drawing of three figures on a plain background. Two figures stab a central standing figure with swords, while the central figure raises one hand.
Above
Left

Sergei Eisenstein: Death of Duncan,1931, pencil on paper
©Russian State Archive of Literature and Art, Moscow

Right

Sergei Eisenstein: Thoughts on Music,1938, pencil on paper
©Russian State Archive of Literature and Art, Moscow

A line drawing on brown paper shows a stylised figure with a circular head and angular limbs. A second, similar figure is outlined in red behind them.
Above

Sergei Eisenstein: Thoughts on Music,1938, pencil on paper
©Russian State Archive of Literature and Art, Moscow

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Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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