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A yellow recipe card reads “Staff Meal 12 Recipes By wedge”. It is laid over a scattered pile of colourful cards featuring bold typography and simple line drawings of food.

Take a seat for Staff Meal: Wedge’s ode to the joy of collaboration and good grub

Born out of the team’s culinary obsessions, a studio-wide side project has dished up a comforting collection of recipe cards from its designers and directors to colour your plate.

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Date
16 January 2025

It’s not often that an opportunity arises for a whole team to get involved in a creative side project, but Montreal-based design studio Wedge makes a bit of a thing of it every year. Keen to carve out the time to work on something together that comes from the heart, this time round its taken the form of 12 thoughtful dishes from the studio’s designers and directors.

“At Wedge we are a group of bon vivants,” co-founder Sarah Di Domenico tells us, “we’re obsessed with good food and drink and coming together around it.” Which is why the outcome of their end of 2024 team project had to be Staff Meal: A collection of recipes from the team, each with their own personal anecdote and illustration, its name a nod to restaurant team culture.

A yellow book titled “Staff Meal: 12 Recipes By Wedge” sits on a silver tray. A swirl of whipped cream topped with a cherry rests beside it, with a silver spoon on the other side.
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Wedge: Staff Meal (Copyright © Wedge, 2024)

The project reveals the ingredients list for some pretty important dishes: from Justin’s Tartare de Boeuf to Alon’s Korean Stew to Cap’s Cookies — sweet and savory treats from the team, for everyone. A stand out for Sarah is Wedge designer Sara’s dads soup recipe: “her story says he remembers it differently each time which is so funny and so ‘dad’”, she shares. “The project was a way to share stories and get to know some of the personalities that make Wedge, Wedge.”

Coming together over foodie chats, the team then translated each one of their home cooked comforts into a collection of carefully curated retro recipe cards that took inspiration from “a set of large vintage flashcards published by MoMa in the 60’s”, says Sarah. This oversized format was a playground for expressive typography backed by a vibrant colour palette — compositions channelling “the experience of lighthearted energy, mingling and connection that happens over a great meal”, says Sara Wong, designer at Wedge. “To balance out all this playful energy, we introduced a more structured recipe layout on the reverse, offering a sense of grounding.”

The team’s characterful illustrations also have personal ties, paying homage to a studio favourite: Seymour Chwast. The Esquire Party Book: For Entertaining Around the Clock published in 1965 and designed and illustrated by Seymour Chwast is a “favourite in the Wedge library”, shares Sarah. “Seymour’s illustrations are charming, playful and imperfectly naive with a sense of humour.”

To finish it all off, the studio decided to document their delightful prints in a shoot “inspired by an older edition of food and cultural journal: The Gourmand.” The cherry on top one might say, with draping velvet backdrops, shiny silver tableware and even a massive block of golden butter, all brought to life by prop stylist Jess Anderson and photographer Michael Kazimierczuk.

The set of cards stand as a “reflection of our values at the studio: connection and seeing moments of delight”, says designer Sara, each piece of the publication serving as a testament to one part of a wonderful team. She concludes: “Through the collection we hope to communicate the joy we share in collaboration, much like preparing and sharing a meal.”

GalleryWedge: Staff Meal (Copyright © Wedge, 2024)

A recipe card and a matching illustration on a dark green background. The illustration features a stylized drawing of a pie with the words “Duck Pie” written in bold, white lettering. The recipe card is titled “Holiday Duck Pie by Dylan” and lists ingredients and instructions.
An orange card reading “Cap’s Cookies” is propped up in a wedge of pale yellow cheese. The cheese is partially wrapped in crinkled silver foil and set against a draped brown velvet backdrop.
An animation in which a series of colourful cards with white typography and simple line drawings are stacked one by one. The cards read “Moules Frites”, “Cap’s Cookies”, “Tsaotshuka”, “Carrot Muffins”, “Duck Pie” and “Aglio e Olio”, each laid over a vintage food magazine background.
A person in a blue knit sweater holds an orange book. The cover features a line drawing of a bowl of food and the text “Oh No Khao Swe”.
An animation in which a series of brightly coloured cards with hand-drawn illustrations and white typography cycle over vintage food magazine pages. The cards feature various dishes, including “Daiquiri”, “Soon dubu Jjigae”, “Tartare de Boeuf”, “Veggie Quiche”, “Oh No Khao Swe”, and “Cucumber Salad”.
A recipe card for “Ohn No Khao Swè by Sara’s Dad” sits beside a matching red cover. The card includes a list of ingredients, cooking instructions and a simple line drawing of a bottle of “Fish Sauce”.
A person in a denim shirt holds a green book or menu. The cover features white cursive text that reads “Tartare de Bœuf” alongside simple line drawings of a Dijon mustard jar and a bottle of Worcestershire sauce.
A red card reads “Aglio e Olio” in white serif typography, surrounding a simple line drawing of a fork with pasta. A real fork with twirled spaghetti is positioned below the card, making it appear as if the fork is piercing the paper.
A stack of colourful, triangular recipe cards arranged in a pyramid against a dark green fabric backdrop. The top yellow card reads “12 Recipes By Wedge” and “Staff Meal”. Below, cards in green, yellow, red, purple and blue feature recipes for “Duck Pie”, “Veggie”, “Tsatshuka”, “Carrot” and “Moules Frites”.

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Wedge: Staff Meal (Copyright © Wedge, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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