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An illustration of a pale leg and foot resting in long green grass. A large mosquito bites the ankle, with a drop of red blood falling to the ground.

Feeling brave? Enter the uneasy world of illustrator Wenjia Wang

Using a blend of traditional and digital techniques, the New-York based illustrator’s pieces have a distinctly unnerving edge.

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Date
19 October 2022

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At first glance, Wenjia Wang’s pieces look like inviting, warm works of art. This is intentional, as the illustrator uses what she describes as a “bright, refreshing and tender” colour palette. But, if you look a little closer, you may find yourself thinking again; fingers glide against razor sharp wires, tongues are impaled by microphones and poisonous looking bugs bite into a naked foot. This is because Wenjia wants to “shock” her audience, tricking them into thinking her work is frivolous, before then adding a layer of uneasy storytelling.

Born in China, Wenjia moved to the US when she was 17. From a young age, she practised traditional Chinese calligraphy – a fundamental in Chinese ink brush painting. Now the technique plays an important role in informing Wenjia’s penchant for the “ink-like”. Having graduated from New York’s School of visual arts and Fashion institution of technology, she currently works as a freelance illustrator, completing work for both independent musicians and galleries plus big clients like Huawei.

A 3D render of a pearlescent, iridescent hand holding a sheet of thin, vertical pink lines. Small droplets of red liquid drip from the fingertips onto the lines.
Above

Wenjia Wang: Papercut (Copyright © Wenjia Wang, 2022)

An illustration of a large, fleshy, pink organ suspended on a stage between three vintage microphones. Below it, a pile of broken microphones smoulders and emits thin plumes of smoke.
Above

Wenjia Wang: Public Speech (Copyright © Wenjia Wang, 2022)

An illustration of two green chillies being grated over a pair of open, red lips. Small green fragments fall from the grater into the mouth, while a white liquid drips from the lower lip.
Above

Wenjia Wang: Spicy addiction (Copyright © Wenjia Wang, 2022)

A digital illustration of a person’s face partially obscured by large, blue peonies. Transparent, tear-like droplets fall from the eyes and drip onto the petals.
Above
Left

Wenjia Wang: Pollen allergy (Copyright © Wenjia Wang, 2022)

Right

Wenjia Wang: aching void (Copyright © Wenjia Wang, 2020)

An illustration of two small figures standing on a vast, sloping hill of pink and orange. A field of tiny, colourful flowers fills the foreground under a pale blue sky dotted with yellow circles.
Above

Wenjia Wang: aching void (Copyright © Wenjia Wang, 2020)

An illustration of a brain with a large eye embedded in the top. A thick, pale tube wraps around the brain and extends downwards to a small bulb. The figure is set against a colourful, pixelated grid background featuring several faint, stylised eyes.
Above

Wenjia Wang: Eye-pressure under digital monitor (Copyright © Wenjia Wang, 2022)

An illustration of a window set into a tiled wall, viewed through shimmering water. Two orange goldfish swim around the frame, while power lines and a utility pole are visible through the glass.
Above

Wenjia Wang: dead silence (Copyright © Wenjia Wang, 2020)

An illustration of several blue smartphones stacked diagonally. A surreal, pink organic form resembling a mouth and a spiral emerges from the screens, surrounded by jagged lightning bolts.
Above

Wenjia Wang: Phone-ring Fobia (Copyright © Wenjia Wang, 2022)

An illustration of a person with long, flowing blue hair that covers their face. Their closed eyes glow with a bright yellow light, and a matching yellow streak runs up the centre of their head. Above them, a jumble of white 3D letters floats against a blue background, including the word “Ecstasy”.
Above

Wenjia Wang: Academic pressure (Copyright © Wenjia Wang, 2022)

Hero Header

Wenjia Wang: Unreachable itchiness (Copyright © Wenjia Wang, 2022)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. ofh@itsnicethat.com

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