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A grid of open magazine spreads showcasing bold, experimental typography and sports photography. The pages feature large numbers, athlete portraits, and vibrant blocks of red, blue, and yellow.

Football Type 2 celebrates the beautiful typography of the beautiful game

Rick Banks returns with a sequel to his popular 2013 book, exploring the wealth of type design on football kits throughout history.

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Date
30 April 2020

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The first Football Type book was a bible for anyone interested in the unique cross-pollination of football and type design. Published in 2013, it was “as comprehensive a collation as could be” of the history of typography on football kits, writer Denis Hurley explains in the book’s introduction. Since then, an exponential increase in new fonts created for clubs, as well as more historical examples coming to light, drove the book’s creator Rick Banks – founder of type foundry Face37 – to embark on a sequel, expanded to reflect these new stories.

The book starts with the era between 1920–1960 looking at the early years of shirt numbers as purely practical elements, then moves on to the 70s, when brands and clubs first began to really consider the aesthetics and personality of kit lettering. In glorious detail, it explores each decade thereafter and the eclectic visual archive of football type design around the world, with large-scale imagery of the letterforms and plenty of nostalgic photography of the kits in use on the pitch. Banks and Hurley examine themes and trends throughout the years, and where clubs and brands have tweaked existing fonts or commissioned bespoke ones to channel their team’s identity through type.

There are also informative case studies on memorable moments of the genre, such as the official Premier League typeface introduced in 2007, designed by Sporting iD, and the La Liga uniform font created in 2017; the Umbro font banned for lack of legibility; and the Bruno Maag typeface for Tottenham Hotspur that helped create a market-leading brand.

An open book displays a design study for the England football team's 2018 World Cup typeface. The left page features the name “KANE” and a large number “9” in a bold, red custom font. The right page contains a description of the typeface, a photo of a player's jersey, and the full alphabet.

As a designer, Banks says his first experience of typography was seeing the 1993 Coca-Cola Cup final. “Obviously, when I was eight years old, I didn’t know what typography was,” he says in the book, “but I remember trying to recreate ‘Schmeichel’ in Umbro’s condensed slab serif in my school books. After pleading with my mum, she kindly bought me a replica top with the Danish super stopper’s surname printed on the back. When she gave it to me, I remember nearly crying my eyes out because the letters weren’t the correct ‘official’ font — it was printed at a local greetings card shop. Thankfully, 25 years later, my mum understands my fanatical attention to detail.”

Earlier this year Banks spoke to It’s Nice That about his bespoke typeface for Major League Soccer’s 2020 kits, another milestone in the designer’s lifetime dedication to football typography.

“This was a dream job for me as football and typography are some of my biggest passions,” Banks says. “At the end of the day, a well designed bespoke font helps identify a brand. It works away tirelessly and seamlessly, even when other brand assets such as colour, logo or imagery aren’t around. It is a badge of distinction, a bold statement of individuality. And I can’t wait to see what next season will bring.”

Football Type is compiled and edited by Rick Banks, designed by Face37 and written by Denis Hurley. There is a standard and limited edition available now via theFace37 online shop.

GalleryRick Banks / Face37: Football Type 2

An open book displays a design project for the footballer Kylian Mbappe. One page shows a close-up of a black jersey with “MBAPPE” in bold pink lettering, while the opposite page features a custom alphabet in the same style.
An open book displays two pages with a bright orange background. The left page features a photo of an orange football shirt with “Davids” and the number “8” on the back, alongside several paragraphs of text. The right page shows the name “Davids” and a large number “1” in bold black typography.
An open book laid against a bright pink background. The right page features a bold graphic design with the name “SPARKES” above a large number “31” on a red and white striped backdrop.
An open book with bright red pages. Large white numerals “1” and “4” span across the two-page spread, with a column of text and the words “Country North Korea” on the left.
An open book laid against a bright pink background. The right page is orange with the name “Sneyder” above a large, white number “10”. The left page contains a column of text, a grid of small photographs, and a bold alphabet in red.
An open book displays a blue football shirt with a bold yellow and orange chevron pattern. The back of the shirt features the name “CAMPOS” in yellow capital letters across the shoulders.
An open book laid against a bright pink background. The left page features a large blue number “7” over a blue and white zig-zag pattern, while the right page shows a red number “8” with an Adidas logo.
An open book laid against a bright pink background. The pages feature a collection of black and white photographs of football players and matches, accompanied by a column of text.
An open book laid against a bright pink background. The pages feature black and white photographs of football teams and a red jersey with the name “Uriel” and the number “3” on the back.
An open book laid flat against a bright pink background. The left page is black with a large white “S”, and the right page is white with a large black “D”.
A white hardcover book lies flat against a bright yellow background. The cover features the numbers zero to nine embossed in a subtle, tonal white.
Four white rectangular cards are lined up against a bright pink background. Each card features a different number in a variety of colours and styles: “1”, “56”, “378” and “999”.
A grid of white booklets, each featuring a different large number in a variety of bold colours and styles. The numbers include “695” in red, “442” in orange and “979” in green.

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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