Launch Recite Me assistive technology

ManvsMachine create its most ambitious campaign for Air Max Day yet

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Date
16 April 2018
A digital collage featuring Nike branding and sports imagery. A large yellow smiley face with a Nike swoosh for a mouth is partially covered by a small window, while a person surfs a blue wave. A gold medal with the “Nike” logo and a blue swoosh appear alongside a pixelated blue texture.

ManvsMachine has created its fourth global campaign in celebration of Nike’s Air Max Day. Continuously adapting and developing the campaign from the year previous, the 2018 edition sees ManvsMachine take “cues from modern editorial design and hosts an extensive number of assets — from live action, 3D, typographical design, right the way through to cel animation,” creative director Adam Rowe tells It’s Nice That.

In its biggest campaign for Nike yet, “purely through the quantity of deliverables, which supersedes anything we have created for Nike in the past,” the studio took the opportunity to show an alternate side to the motion graphics focused work it’s regularly noted for. “We’ve got some unbelievable talent who have skills in 2D illustration and cel animation which we rarely get to showcase on projects,” Adam explains. “We wanted to push this design style throughout the project, alongside our usual 3D and live action skills.” As a result, ManvsMachine has created it’s most visually diverse project in terms of disciplines and is arguably a massive step for the studio.

In the run-up to Air Max Day, Nike came to ManvsMachine with the concept of a “windows/anti-design approach,” which the studio was tasked with elevating. “It still needed to retain the haphazard nature of the layouts, but through multiple rounds of refinement we looked to land on a crafted version of this on-trend design style.” Across the wealth of disciplines displayed in the campaign, it is clear MvsM have made a conscious effort to carve out connections between each image, particularly by “establishing an interaction between the different elements and windows,” Adam points out. “Finding ways to have a piece of 3D design move in a way that triggered a movement in a live action element was where all the fun was had.”

As a campaign, ManvsMachine’s work is a playfully executed example of how combining different disciplines can make for a cohesive whole, whether “it’s milk explosions, on set raves or people dancing in giant inflated suits”.

The overall theme for the 2018 edition of Air Max Day was centred around “Turning imagination into reality,” says Adam. In visualising the process of Nike Air, MvsM had to combine both the past and present identities of the brand, reflecting Nike Air’s on-going state of re-invention — an eclectic, and ever-changing, melting pot of inspiration.”

A person stands with arms outstretched, wearing an oversized, bulbous grey garment that obscures their torso. They wear a white Nike headband and look off to the side against a plain grey backdrop.
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ManvsMachine: Air Max Day

A person wears white Nike socks and a single clear, bubble-textured slide on one foot. They stand on a textured pink surface.
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ManvsMachine: Air Max Day

An animation of a 3D render featuring three tubular, loop-like shapes in purple and coral. The shapes sit within a dark grey container and shift with subtle, undulating movement.
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ManvsMachine: Air Max Day

An animation of a black and white line illustration on a plain white background. A curved, organic shape composed of repeating geometric patterns shifts with subtle movement.
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ManvsMachine: Air Max Day

An animation of a grey cartoon rabbit wearing white and blue sneakers. The rabbit jumps and kicks its legs forward against a plain white background.
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ManvsMachine: Air Max Day

An animation of a gold medal hanging from a red, white and blue ribbon. The medal features the Nike logo and the word “Nike” over a shimmering, orange surface with subtle light reflections.
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ManvsMachine: Air Max Day

A three-panel layout for Nike Air. The first two panels feature a black and orange sneaker surrounded by technical sketches and the “Nike Air” logo. The final panel shows a person with orange hair wearing the sneakers and a black outfit.
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ManvsMachine: Air Max Day

A person blows a large pink bubble with chewing gum. A smaller black and white image is laid over the right side, showing a person poking a bubble with their finger. The images are framed by a border of repeating text that reads “Air Max”. A small grey square in the top left contains a pink 3D render of a shoe sole.
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ManvsMachine: Air Max Day

The Nike swoosh and “Nike” wordmark in a bold, stylised font. The logo features a blue and white gradient with a jagged, dark silhouette across the centre.
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ManvsMachine: Air Max Day

A person wearing a white headband looks upwards, encased in a voluminous, metallic taupe garment. The sculptural piece creates a rounded, inflated silhouette that obscures most of their body.
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ManvsMachine: Air Max Day

A person with straight dark hair and blunt bangs looks directly at the camera. They are blowing a large, translucent bubble of chewing gum that obscures the lower half of their face.
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ManvsMachine: Air Max Day

A graphic layout of Nike branding and design elements in white on a black background. It features various iterations of the “Nike” and “Vapormax” logos alongside the number “97” and abstract wireframe grids.
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ManvsMachine: Air Max Day

A grid of six digital collages, each featuring a different Nike sneaker as the central focus. The compositions mix product photography with abstract shapes, small figures, and brand logos against a clean white background.
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ManvsMachine: Air Max Day

A person stands in a dark space, wearing a green Nike jacket with reflective white bands. Two bright beams of light cross behind them, illuminating the jacket and the “Nike” logo.
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ManvsMachine: Air Max Day

A person stands with arms crossed, wearing a white T-shirt and blue jeans. A pair of pink sandals is balanced on their head, covering their eyes.
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ManvsMachine: Air Max Day

A person with wild, mint-green hair wears a full-face diving mask. They are dressed in a black Nike top against a plain blue background.
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ManvsMachine: Air Max Day

A person wears a large, bulbous inflatable suit in a metallic grey finish. They stand with arms outstretched against a textured pink backdrop, wearing white sneakers and glasses.
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ManvsMachine: Air Max Day

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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