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An animation of a white square box against a plain background. The box features the word “elsewhere” in a bold serif font, with “HAND POURED IN LOS ANGELES” above a central graphic that changes from a grid to a metallic shape.

How do you create a visual identity for something you can smell, not see? AWP shares its tricks

The studio has crafted a nostalgic identity for LA-based scented candle company Elsewhere Fragrances, imagining visuals for scents inspired by travel destinations “from this world and beyond”.

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Date
13 November 2024

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As a studio steered by storytelling, you could say that AWP (As We Proceed) were sold from the get-go when Ethan Gaskill, founder of independent fragrance company Elsewhere Fragrances, reached out. The scented candle company, which had its start in 2020 – a time where going anywhere was forbidden – is set on transporting you to places elsewhere. Each of its scents is crafted to evoke not only a specific location but its stories and intimate textures. “What a rich tapestry of imagery and sensory experiences we had to draw upon,” says co-founder and creative director of AWP, Emanuel Cohen. “Translating Elsewhere brand’s narrative of wanderlust and discovery into visual and tangible elements presented us with an amazing opportunity to explore the intersection of scent, memory and visual triggers.”

To craft a holistic visual system for both Elsewhere’s brand and product experience that encapsulated their vision, the studio started out in labs and between library shelves. “We were drawn to Elsewhere Fragrance’s commitment to an intentional laboratory production approach, using only premium ingredients and a hand poured method,” says co-founder and creative director at AWP Mariane Vaillancourt.

A person stands in a blurred, warm orange light against a dark landscape. Large white text across the centre reads “PREMIUM SCENTED CANDLES”, with smaller descriptive text and “8 FL OZ 50 HOUR BURN TIME” below.
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AWP: Elsewhere Fragrances (Copyright © AWP, 2024)

This commitment to craftsmanship led AWP to collate a typographic selection for the identity that was greatly inspired by “dusty library shelves and laboratory notecards”. It’s a font family that evokes the founders desire to transport people, but one that also denotes the intentionality of the brand’s scents and methods. By using typography reminiscent of archival material and classic literature with a bookplate logo type, the design language is a homage to the brand’s idea of archiving moments through fragrances. “Like an author’s notes leading to the writing of great chapters, the graphic system encapsulates the methodical and inspired process of creating Elsewhere’s scents,” says Emanuel.

The packaging is where AWP helps the brand’s identity tap into all of the senses, with soft textured card stock, embossed details, photographic cut outs and mirrored materials that reflect the products’ surroundings onto every package. The tactile experience of the packaging was also translated onto the candle vessels, with a rich textured label, printed by hot-stamping to include the scent’s story — “inviting people to elaborate with their own imaginary tale”.

The main challenge for AWP was how to translate all of Elsewhere’s “more intangible feelings into a tangible graphic language”. For a nostalgic look and feel, the studio’s art direction turned to home video-style footage and soft focus, grainy film photography to create a sense of longing and warmth. “We aimed to evoke sentimentality and a yearning for the past through imagery that would reflect vintage aesthetics,” ends Mariane. “The imagery is an invitation to surrender into the immersive, peaceful and dreamlike realm of the brand.”

GalleryAWP: Elsewhere Fragrances (Copyright © AWP, 2024)

A dark glass candle jar with a white rectangular label. The label features the word “elsewhere” in a bold serif font above the title “EDEN” and a short paragraph of descriptive text.
A close-up of a printed page featuring bold, black serif typography. The words “COUNTRY CLUB” appear in a smaller sans-serif font above a block of blurred body text.
Six small white boxes are arranged in a grid of two rows. Each box features a different coloured label with a title such as “Chainlink”, “Still Life”, “Film Grain”, “Eden”, “Astral” and “Country Club”.
A person embraces another from behind, both looking thoughtfully away from the camera under a red light. Bold white text above them reads “ELSEWHERE IS AN INVITATION TO FEEL TRANSPORTED TO DAYDREAM, TO REMINISCE.” Smaller text at the bottom describes the brand as “A FRAGRANCE. A FEELING.” and includes the logo “elsewhere”.
An animation in which a series of coloured cards cycle over a dark, mountainous landscape at dusk. Each card features a different title, including “Astral”, “Chainlink”, “Country Club”, “Film Grain”, “Eden” and “Still Life”, accompanied by fragrance notes and descriptive text.
A branding layout for Elsewhere fragrances featuring a blue envelope and a silver foil card. The card displays the brand name “elsewhere” in a lowercase serif font. Above the items, a line of text reads “A place that can’t be described, but rather felt. Each story speaks to a special moment, person, place, or time.”
The word “elsewhere” is written in a bold, black serif typeface across a pale grey background. Small text above reads “Created by Ethan Gaskill, Elsewhere combines thoughtful product development and elevated narratives in fragrances”.
Two hands hold a small white card against a black background. A lit match burns a hole through the centre of the word “elsewhere”, with “LOS ANGELES” printed in smaller text above.
A triptych of photos showing the candle making process. Small scent samples in plastic packets sit beside two white candles, followed by wax being poured into glass jars, and a person using a dropper to add fragrance to scent strips.
Rows of small dark glass bottles with white labels are stacked on shelves. In the foreground, a white box and several candles feature the brand name “elsewhere”.

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AWP: Elsewhere Fragrances (Copyright © AWP, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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