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An animation in which grainy, light purple shapes shift and overlap on a textured purple background. The words “community” and “network” appear at the bottom, with other illegible text floating above.
An animation in which grainy, light purple shapes shift and overlap on a textured purple background. The words “community” and “network” appear at the bottom, with other illegible text floating above.

Ayasha Khan’s three-dimensional identity for a technician’s platform draws on model kits and stencil shapes

For Technicienne, the London-based designer crafted a tactile look with a four-way colour palette that creates “structure”.

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Date
25 November 2024

When the art directors Daphna Krygier and Assal Sharifrazi reached out to Ayasha Khan to create an identity for their new project, the platform Technicienne, she was instantly on board. A branch of the pair’s creative agency, Face B, Technicienne is a space for women and gender minority individuals working as technicians in the cultural and artistic sector to connect, create community and find jobs in a largely male-dominated industry. “Knowing how useful and necessary this project is, without hesitation, I dived into it,” says Ayasha.

As Technicienne isn’t your typical technical platform, Ayasha didn’t want to opt for a typical identity – and so she moved away from ‘technical’ imagery, often associated with digital realms. “I wanted to include all technical professions by creating the identity more like a playful cutout, similar to what you might find in model kits or stencils,” says Ayasha. “Instead of the cold, digital aesthetic, the visuals evoke a tactile, hands-on experience that reflects craftsmanship and precision.” This analogue feel also extends to the texture Ayasha has crafted, the base layer of the cut-out assets looking like a heavy hemp paper or thin cardboard, down to the grain flecked throughout. Not only does this approach speak to the plurality of the profession, it also adds a warmth to a platform that’s all about connection.

A series of six graphic panels in lime green, purple and forest green. One panel features bold white text stating that in 2023, 82% of stage managers in cultural institutions are men and 18% are women.
Above

Ayasha Khan: Face B x Technicienne (Copyright © Ayasha Khan, 2024)

Ayasha achieves this three dimensional, cutout effect by mimicking a very physical technique – embossing; raising a material (often paper) with a stamp or other tools. It was no easy task to create this effect digitally, however, and it took a lot of work to master the hand-crafted look, but one Ayasha sees as very much worth the work. It was from this that the identity’s logo arose, a chunky T that takes from the platform’s name, finished with a “chunky, modular feeling to them”. For Ayasha, the T becomes more of a pictogram than simply just a logo throughout the identity, changing and morphing throughout the events to suit each function. The cutout also spells out the rest of the platform’s name throughout the identity, at first glance simply looking like a series of shapes left behind, but on closer inspection the letters emerge.

When it came to colour Ayasha says that she wanted something “recognisable”, veering toward a muted purple with paired accents of soft grey, deep green and pale but bright yellow, which all represent a different pillar of the platform: community, network and transmission. “I think that creating structure through the choice of colour is super interesting,” says Ayasha. The colourway comes into its own when applied with pattern, a series of overlapping dots and graphic shapes accentuated by the contrasting hues. Now, with how tactile the identity is, Ayasha’s now excited about the possibility of printing the new look physically, to feel the texture she’s crafted so well digitally, in the flesh.

GalleryAyasha Khan: Face B x Technicienne (Copyright © Ayasha Khan, 2024)

A purple 3D render of a textured surface with embossed geometric shapes and lines. The words “transmission”, “community”, “network” and “technicienne” are debossed into the material.
A grid of six abstract compositions featuring a recurring, symmetrical geometric shape. The designs use a limited palette of purple, lime green and grey across different arrangements.
An abstract illustration split vertically into two halves. The left side features green circles on a purple background, while the right side shows purple circles on a green background.
Four square tiles in purple, grey, green and lime yellow. Each tile features a debossed abstract shape and a single word at the bottom: “technicienne”, “community”, “transmission” and “network”.
A split-screen composition featuring two mirrored patterns of circles on a textured paper background. The left side shows purple circles on a light grey field, while the right side shows grey circles on a purple field.
A purple 3D render of a textured surface with embossed shapes. On the left, a large abstract form sits above the word “Technicienne”, while the right side features a grid of smaller embossed blocks with the words “transmission”, “community” and “network”.
A graphic poster in green and purple reads “JOBDAY” in large, bold letters. Text at the top reads “FRIDAY 09 OCTOBER 2023” and “WIELS, BRUSSELS”, with the time “12:00 14:00” at the bottom.
Two square, textured panels side by side in purple and light grey. Each features a debossed, abstract geometric shape and the word “Technicienne” embossed at the bottom of the purple panel.
An abstract composition of lime green geometric shapes on a grey background. The shapes include circles, rectangles and irregular blocks of varying sizes.
A green, blocky abstract shape with jagged edges and rounded corners. It is set against a textured purple background.
A graphic in purple, green and grey with a large headline that reads “C’est quoi le métier d’éclairagiste?”. Below the title, a block of French text explains the role of a lighting technician.

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Ayasha Khan: Face B x Technicienne (Copyright © Ayasha Khan, 2024)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. ofh@itsnicethat.com

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