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An illustration from a sketchbook featuring drawings and handwritten notes. On the left, a white ghost-like figure sits beside a red vending machine and a bottle of water. On the right, two figures in yellow and green suits stand before a sign with Korean text, above a small black car.

Boiling Man shares his unique view of the world through his sketchbooks

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Date
28 January 2019

The Guangzhou-based illustrator known as Boiling Man likes to document his travels with an exceptionally observant eye. He notes the minutest of details through his drawings, filling vibrant sketchbooks with life as he travels around foreign lands. Most recently, the illustrator visited Korea, returning back to China not only with his fond memories in mind, but also on the papers in which he lavishly captured his surroundings.

“Every time I look back on my travel notes, I remember the things that happened at that moment,” he tells It’s Nice That. Among the bright pages of his sketchbook, Boiling Man notes the Korean vending machines, electric Minis charging up by the roadside, nick-nacks for sale, and a policeman on duty. Each drawing has been executed with particular attention to detail, not only in the carefully-applied pencil strokes but also in every character’s facial expression. Though Boiling Man’s illustrations refer to an ephemeral moment in time that passes by in an instant, his illustrations encapsulate specific moments. His drawings seem to catch people mid-expression like a snapshot that reveals one frame mid-sentence.

For the illustrator, his “travel is not over-planned” but “random”. An interest in the Korean band Hyokuh led him onto a trip to see them at Busan, then after realising there was an illustration art festival in Seoul, Boiling Man “bought a ticket immediately”. He views his drawings as much more than sketches, but more “an interesting summary of [his] thoughts” through a tableau. For instance, Boiling Man picks up on K-pop imagery to reflect his interests in the cult genre. He also documents particular design quirks in advertisements that he likes, and visually comments on how he found “Korea to be a good place for dating”.

It takes approximately 15 minutes to sketch out a composition, then Boiling Man finishes it later. He chooses bright and cheery colours supported by pastels or large blocks of blackness for contrast. Many of his illustrations are underpinned by energetic hand-type that carry through the instant charm of Boiling Man’s oeuvre. The balance of image and type seizes his unique perspective of the world and underlines how he finds “all kinds of phenomena very interesting”. And because Boiling Man’s travels are documented with so much fun and curiosity, he’s published his illustrations in a zine. In a similarly captivating set of drawings that records Boiling Man’s trip to Japan, hopefully, he is on a course to share his colourful view of the world for a long time to come.

A colourful illustration split into two panels. On the left, a person in traditional Korean dress stands beside a traffic light and a sign that reads “Drive Your Energy!”. The right panel shows a person in a white vest and red cap holding a green bag and a drink. Large red Korean characters and the text “Sketch of Korea By Boilingman” and “Check it Out!” surround them.
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Boiling Man: Sketch of Korea

Two illustrations side by side. The first is a collage featuring a person looking at a burger, with a logo that reads “The Famous Burger” and the word “Loco”. The second is a four-panel comic with Korean text at the top and figures in various romantic poses.
Above

Boiling Man: Sketch of Korea

A painting of two circular objects resting on white metal stands. One is a deep blue circle with a small white label, and the other is a white circle on a red square background with Korean text.
Above

Boiling Man: Sketch of Korea

Two illustrations of a Japanese guesthouse. The first shows a view into a warm, lit room with white curtains and a wooden floor, accompanied by handwritten Japanese text. The second is a wider view of a dining area with a white table and a wall decorated with a menu and a sign that reads “MARUBI”.
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Boiling Man: Sketch of Korea

An illustration of two people wearing traditional Korean hanbok. One wears a white top with a purple skirt, while the other wears a yellow top with a red skirt. To the right, a vertical sign reads “한복” and “HANBOK”.
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Boiling Man: Sketch of Korea

An illustration split into two panels. On the left, two large red onions with long green roots hang against a yellow background, accompanied by handwritten Chinese and Korean text. On the right, a top-down view of a cafe table shows a plate of cake, a blue plate with a fork, and a cake stand with price tags for “Scone 3,000” and “Canelé 1,500”.
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Boiling Man: Sketch of Korea

An illustration of an art studio and shop. On the right, a room with red walls contains a round table, a white easel and a small painting of two red circles. On the left, a blue sculpture sits on a plinth above a yellow painting and handwritten Chinese text. The words “Artist Proof Shop” appear on both pages.
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Boiling Man: Sketch of Korea

Two illustrations side by side. The first shows a person with a long neck and a bob haircut, flanked by two other figures. The second is a comic strip with four panels and Korean and Chinese text, depicting a person visiting a “jjimjilbang” sauna.
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Boiling Man: Sketch of Korea

Two illustrations side by side. The first is a black and white drawing of four musicians with guitars, topped with the text “Hyukoh” and “Concept 21 July”. Below them, a headline reads “How to find true love and happiness 9 Busan”. The second is a colourful drawing of a giant black kettle in a green landscape. A small person stands beside it, with large red Chinese characters across the bottom.
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Boiling Man: Sketch of Korea

An illustration split into two scenes. On the left, a person in a blue police uniform speaks on a telephone beneath a banner with Korean text. On the right, a person in an orange high-visibility jacket and purple trousers holds two flags against a dark city backdrop.
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Boiling Man: Sketch of Korea

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About the Author

Jynann Ong

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Jynann joined It’s Nice That as an editorial assistant in August 2018 after graduating from The Glasgow School of Art’s Communication Design degree. In March 2019 she became a staff writer and in June 2021, she was made associate editor. She went freelance in 2022.

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