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A white line illustration on a black background features a series of intricate, swirling loops. Small letters are tucked into the curls to spell “Fernanda”.

With embroidered lettering and type made of stone, designer Léna Théodore champions traditional textures

From museums to junk shops, the Arles-based designer prefers an on-the-ground approach when scouring inspiration.

If Léna Théodore were to identify one thread that runs through all of her work, it would be the variety of textures and materials. With a keen interest in craftsmanship, domestic arts and vernacular ethnography, Léna has found great enjoyment in incorporating the visuals of traditional techniques into her work, like stonemasonry, crochet and embroidery. “I must say I have a soft spot for everything textiles,” says Léna, “Beyond being a magnificent creative medium, the manufacturing and usage of textiles conveys a great deal about humankind in general.” We’re particularly fond of Léna’s Cross Stitch Type, the delicate placement of X’s creating a lettering brimming with history and texture.

When sourcing inspiration, Léna likes to take an on-the-ground approach, often finding ample material in museums, junk shops and nature. Currently, one of her biggest inspirations is in the region she lives in, for its traditions, heritage and “an effervescent crossroads of many different cultures”.

Two people ride horses through a shallow body of water in a grassy landscape. Large, white pixelated text is laid over the scene, reading “a lan que ven! si siom vos mai que siom pas mens!”.
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Léna Théodore: A l’an que ven lettering (Copyright @ Léna Théodore, 2023)

A pixelated alphabet and number set in white against a black background. The characters feature a decorative, ornate style with a jagged, digital edge.
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Léna Théodore: A l’an que ven cross stitch font (Copyright @ Léna Théodore, 2023)

A grid of 26 photographs shows stones and pebbles that naturally resemble the letters of the alphabet. Below the grid, white text on a black background reads “A mineral alphabet by Léna Théodore, April 2021”.
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Léna Théodore: Keep on rockin’ (Copyright @ Léna Théodore, 2022)

A grainy, high-contrast black and white print of several tall cacti. The figures are blurred and textured, set against a pale, washed-out background.
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Léna Théodore: Ink jet experiment (Copyright @ Léna Théodore, 2022)

A collage on a black background featuring an alphabet of ornate letters crafted from white lace. The composition includes vintage black and white images of a person sewing, a pair of “Point Lace Scissors” and close-ups of lace fabric. Text at the bottom reads “Madame Goubaud’s point lace book: instructions and patterns”.
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Léna Théodore: Point lace alphabet poster (Copyright @ Léna Théodore, 2023)

A collection of narrow white paper strips with various prints, scattered across a reflective black surface. The prints include a portrait of a person in a ruff collar, a red architectural sketch, and intricate lace and floral patterns.
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Léna Théodore: ABC textile bookmarks (Copyright @ Léna Théodore, 2023)

An animation of a light grey card with an intricate lace pattern and the words “happy new year”. Multicoloured dots appear and float around the card against a black background.
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Léna Théodore: New year card (Copyright @ Léna Théodore, 2023)

A white digital illustration of a fringed textile square against a black background. The fabric features a pixelated, cross-stitch pattern with a border of small white crosses.
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Léna Théodore: Textile lettrine (Copyright @ Léna Théodore, 2023)

A black crocheted pouch rests on a light grey rock. A large, white ampersand is worked into the centre of the fabric.
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Léna Théodore: Esperluette (Copyright @ Léna Théodore, 2023)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. [email protected]

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