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A 3D render of a smooth, black apple against a pale background. Two lit cigarettes are stuck into the top of the fruit like stems.
A 3D render of a smooth, black apple against a pale background. Two lit cigarettes are stuck into the top of the fruit like stems.

Lulu Lin's drawings and sculptures explore the role of 3D technology in design

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Date
5 March 2019

Since we last wrote about illustrator Lulu Lin her style has changed drastically from her previously vibrant drawings of exclusively female characters. “I drew this new colourless series when I was going through a difficult time… I started to draw more gender neutral faces,” she explains of her new illustrative direction. “I wanted to de-associate a little with gender-specific images and take a step back to look at myself more objectively.”

The new drawings, though different in style and colour palette – they’re now largely monochromatic – maintain Lulu’s trademark humour, with exaggerated features, squashed faces and comical expressions. She says the “tough and indifferent colours and gestures, coupled with the confused and blank looks” were conceived through introspection. “These recent drawings are more self-reflecting than before,” Lulu tells It’s Nice That.

Two black and white illustrations of a distorted face, mirrored side by side against a white background. The features are warped and fluid, blending into deep shadows and bright highlights.
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Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

Born in Taipei, Taiwan, Lulu has since moved to Denmark to attend Design School Kolding, where she is currently pursuing a master’s degree in communication design. This new work is for one of her course projects titled Analog Replication as Basis to Defy 3D Fabrication. It consists of a number of plasticine, super sculpey, silicon rubber, plaster, soy wax and beeswax head sculptures, as well as 14 digital iPad drawings.

The aim of the project is to study the purpose and role of 3D technology in design. According to the artist’s statement, the project asks the question: “3D technology is a tool to let us be productive and creative, but has the new era of technology also insensibly stopped designers from trying different ways of making?”

In order to explore this subject, Lulu utilised the materials above and techniques such as sculpting, casting and drawing to mimic the idea of 3D modelling, rendering and animating. “The sculptures are then juxtaposed with 3D illustrations and printed objects of the same subject to leave an open discussion of the usage of 3D technology,” Lulu explains.

An illustration of a figure with their head tilted back and mouth wide open in a shout. Two white cylinders are held beneath their chin, while clouds of smoke drift upwards from their nostrils.
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Lulu Lin

A surreal illustration of a black, glossy figure looking upwards. Two small insects are perched where the eyes would be, with thin antennae extending upwards.
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Lulu Lin

A black and white illustration of two surreal, rounded figures. The figure on the left looks upwards with an open mouth, while the figure on the right is seen from a distorted angle.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A minimalist line illustration of a figure with a rounded head and a frowning expression. The simple black lines on a white background create a moody, stylized face.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A black and white illustration of a distorted, bulbous figure. The face is compressed and melting, with a large, rounded tongue protruding from the mouth.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A black and white illustration of a smooth, rounded figure looking upwards with a surprised expression. The figure has wide eyes and a small, open mouth, rendered with soft gradients and deep shadows.
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Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A black and white illustration of a distorted, rounded figure with a strained facial expression. The figure has a bulbous nose and an open mouth, looking upwards against a plain white background.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A black and white illustration of a smooth, organic white form. Three dark, glossy spheres are embedded into a fold in the surface, resembling a cluster of berries or eyes.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A 3D render of a fluid, abstract form in black and white. The smooth, metallic surface curves and folds into an organic shape against a plain white background.
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Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A white clay sculpture of a distorted head against a plain yellow background. The form is blurred and melted, with features blending into thick, swirling folds of material.
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Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A sculpture of a distorted, fleshy face with a pinched nose and closed eyes. The pale, smooth form is set against a dark grey background.
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Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A sculpture of a distorted, fleshy face in a pale pink tone. The features are melted and compressed into a rounded, cylindrical form.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A sculpture of a fleshy, mauve-coloured form with deep folds and creases. The organic shape is set against a plain dark grey background.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

A sculpture of a pale pink, fleshy form with deep folds and creases. It sits centrally against a plain dark grey background.
Above

Lulu Lin: Analog Replication as Basis to Defy 3D Fabrication

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About the Author

Daniel Milroy Maher

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Daniel joined It’s Nice That as an editorial assistant in February 2019 and continues to work with us on a freelance basis. He graduated from Kingston University with a degree in Journalism in 2015. He is also co-founder and editor of SWIM, an annual art and photography publication.

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