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A large blue billboard stands in front of a modern glass building. Green text on the board reads “HARVARD INNOVATION LABS”, with several letters replaced by star-like symbols.

Raquel Pinto Studio brings an innovative but familiar air to graphic design

The Lisbon-based graphic designer sees her practice as inherently collaborative and horizontal – especially with her clients.

When it comes to branding, graphic designers are tasked with visually representing all that makes a business, institution or cause stand out. What’s more, those who take on the task can’t escape the question of whether to break the mould or honour traditional visuals that audiences and consumers have long recognised. The work of Raquel Pinto does both, turning our eyes to innovative businesses and projects, and expanding industry perceptions.

Born in Portugal, and recently returning after a decade of leading the likes of Project Projects in New York, Node in Berlin and Zak Group in London, she is now focussing on her own design practice, Raquel Pinto Studio. This hasn’t made her more insular or collaboration-focused, it’s only allowed her to take this thinking to projects she’s personally passionate about. “I now adapt to different contexts physically and aesthetically, from the things I observe to my incorporation of them into my design work,” she says. “Collaboration, humility and respect are central to my practice. Good design is about trust and listening to what the client needs.”

One of her most striking projects is the visual identity rebrand for Harvard iLab (Harvard Innovation Labs), accentuating its experimental edge and setting it apart from traditional educational branding. “It’s an ever evolving discourse between me and the client, where questioning and challenging ideas together, helps to refine and push the visuals further,” Raquel says.

Four large colourful posters are displayed side by side on a street wall. Each features bold geometric shapes and the words “New Ideas”, “Action” and “Differentiation” in a clean sans-serif typeface. Small text at the bottom of each panel reads “Harvard Innovation Labs”.
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Raquel Pinto: Harvard iLabs (Copyright © Raquel Pinto Studio, 2020)

A collection of open brand guidelines books spread across a neutral surface. The pages showcase a black and white visual identity, including a colour palette, typographic specimens and geometric patterns.
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Raquel Pinto: Harvard iLabs (Copyright © Raquel Pinto Studio, 2020)

A black book cover reads “Harvard Innovation Labs” at the top and “Visual Identity Handbook” at the bottom. A grid of white abstract symbols is centered on the cover, overlaid with a series of intersecting blue lines.
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Raquel Pinto: Harvard iLabs (Copyright © Raquel Pinto Studio, 2020)

A close-up of a pale pink poster curling upwards from a dark blue surface. Bold orange typography reads “Ken Vandermark & Paal Nilssen-Love” and “Yak Te”.
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Raquel Pinto: Galeria Ze dos Bois (Copyright © Raquel Pinto Studio, 2014)

A branding identity set for “A Plus” featuring a black folder, white letterheads, and business cards. The minimalist design uses a bold, black sans-serif typeface and a circular graphic element.
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Raquel Pinto: A Plus (Copyright © Raquel Pinto Studio, 2020)

An open brand guidelines book showing the logo for “A (Plus)”. The left page features the white logo on a black background, while the right page demonstrates various logo lockups.
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Raquel Pinto: A Plus (Copyright © Raquel Pinto Studio, 2020)

A white canvas tote bag rests on a textured, cream-coloured fabric chair. Bold black text on the bag reads “A (PLUS) X (YOU)”.
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Raquel Pinto: A Plus (Copyright © Raquel Pinto Studio, 2020)

An open brand guidelines booklet showing two pages of the “Whlth” visual identity. The left page details the colour palette and logo animation, while the right page displays various logo lockups for different locations.
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Raquel Pinto: WHLTH (Copyright © Raquel Pinto Studio, 2021)

A laptop displays a website for “Whlth” featuring a person smiling and holding a laughing child against a red background. Text on the screen reads “ERADICATE health DISPARITIES and CREATE HEALTH equity in communities of color”.
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Raquel Pinto: WHLTH (Copyright © Raquel Pinto Studio, 2021)

A large white poster is mounted on a terracotta-coloured wall against a clear blue sky. The headline reads “Cargiante”, followed by lists of artists and curators and the dates “03.07 – 06.11.21”.
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Raquel Pinto: Cangiante (Copyright © Raquel Pinto Studio, 2021)

A grid of posters in pink and white reads “Real Estate & U.S. Girls”. A blurred figure in a blue jacket and red cap walks past the display.
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Raquel Pinto: Galeria Ze dos Bois (Copyright © Raquel Pinto Studio, 2014)

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Raquel Pinto: Harvard iLabs (Copyright © Raquel Pinto Studio, 2020)

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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