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A collage featuring the “Ting” brand logo in green script, set against a blue and white checkered border. The background consists of a yellow and blue grid pattern with a vertical, wavy pink and white stripe.

Sabah Foster’s collages leave a longing for the good old days

The artist’s work will make you reminisce and mourn the loss of colour in art and design.

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Date
23 November 2023

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London-based mixed media artist Sabah Foster can trace her love for collage back to childhood, where she nurtured a passion for collecting imagery, postcards, stickers and ephemera. “In my spare time I would scrapbook, collage and decorate my diary with my findings.” Now, using a cut-and-paste technique and playing with pattern, colour and layering, she seeks to transport viewers to a “simpler time”.

She also has a way of visually representing cultural identity, relationships and expressions. In one of her collages, she adorns the Caribbean drink Ting with a background reminiscent of a checked bistro table cloth, titled after Shabba Ranks’ dancehall classic, Ting-A-Ling. In another she crops a photo of a couple moments before they’re about to kiss and stamps it with a Tasty logo.

The decisions Sabah makes in the foreground and backgrounds of her collages honour the bold and colourful aesthetics of artists like Wyatt Knowles, Ema Gaspar and Hassan Hajjaj. “I love Wyatt’s DIY approach to graphic design, playful use of illustration and refreshing colour palette, and I relish in Hassan’s use of contrasting colours and objects found in Marrakesh’s markets, in his fashion photography.” As her practice grows, Sabah is on her way to leaving a real mark on the visual cultures she holds dear.

A person poses with arms outstretched against a bright blue backdrop featuring red hearts and green floral patterns. They wear a metallic bronze outfit consisting of a jacket, top, trousers and a matching headwrap.
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Sabah Foster: Man is the Least (Copyright © Sabah Foster, 2020)

A collage of a person wearing a red headscarf and pink top, standing behind a large bunch of red and blue flowers. They are set against a background of bright green and magenta vertical stripes.
Above

Sabah Foster: In Bloom (Copyright © Sabah Foster, 2021)

A collage of a bunch of purple grapes with a single green leaf. The grapes are set against a pale yellow background covered in a grid of blue circles.
Above

Sabah Foster: Heart it Through the Grape (Copyright © Sabah Foster, 2020)

A collage featuring a blue-tinted image of two people kissing. A bold, rounded logo with red and yellow borders is laid over the centre, reading “Tasty” in blue serif type.
Above

Sabah Foster: Tasty (Copyright © Sabah Foster, 2019)

A collage divided into two sections. The left side shows a distorted, top-down view of a blue swimming pool and a sun-drenched patio. The right side features a red background with two vertical yellow stripes and a chocolate chip cookie centred within a blue oval.
Above

Sabah Foster: The Cookie Jar (Copyright © Sabah Foster, 2020)

A collage of two red strawberries on a pink background. The berries sit on a yellow and orange striped shape, outlined in pink.
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Sabah Foster: Strawberry (Copyright © Sabah Foster, 2019)

A colourful collage of a dark, translucent flower with a green butterfly resting on its petals. Glittering green swirls and purple floral stems radiate outwards against a pale orange background.
Above

Sabah Foster: Growth (Copyright © Sabah Foster, 2023)

A mixed-media collage featuring two circular illustrations set within white, rounded frames. The top circle shows a close-up of yellow berries and foliage, while the bottom depicts two small birds in a nest.
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Sabah Foster: Circles of Life (Copyright © Sabah Foster, 2023).jpg

A digital collage of two orange dolphins leaping against a brown striped background. Bright pink abstract shapes and small colourful hearts float around the figures.
Above

Sabah Foster: Flipper (Copyright © Sabah Foster, 2023).jpg

Hero Header

Sabah Foster: Ting A Ling (Copyright © Sabah Foster, 2020)

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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