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A simple line illustration of a person wearing a baseball cap, seen from behind. They are looking over their shoulder with a cigarette in their mouth.
A simple line illustration of a person wearing a baseball cap, seen from behind. They are looking over their shoulder with a cigarette in their mouth.

Stefan Marx talks us through his drawings from going on tour with Mac DeMarco

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Date
5 June 2019

Embarrassingly, until we caught up with artist Stefan Marx this week, we had no idea that the lettering used on Mac DeMarco’s 2014 record Salad Days is actually the handwriting of Stefan. A collaboration staring us in the face all along, Stefan and Mac have been collaborating together again of late, only this time in a live setting.

Stefan originally met Mac a few years back now when Coley Brown, who shot the cover of Salad Days introduced the artist to his work and asked him to lend a literal hand with the typography. Since then, Stefan will work on some artwork for Mac from time to time, and naturally, “we became friends too,” he tells It’s Nice That.

Back in 2017, although only just released as a book by Nieves for Mac and Stefan fans alike to get their pesky mitts on, Stefan had the idea to go on tour with Mac “to do the same to what a tour photographer is mostly doing,” he explains. “The band liked the idea so I did some tour stops in Germany, it was so great.”

The result is a collection of drawings in Stefan’s signature wobbly but evocative style, as the artist approached the live drawing job as the same as any other commission. “I used the same material as I always use, my fave paper and fave pen, that’s all,” he says. “I was allowed to go on stage and so on, I tried to find my cosy drawing spot on each stage and varied a bit too. Mostly, I was really relaxed in the back doing drawings of Mac and the band.”

Looking for details as a live show photographer would, over the course of the live shows Stefan got hunting for little quirks fans of Mac and the band would recognise. “Each band member has his total different way of acting during the show, Andy is mostly barefoot, etc.” Stefan explains. “I liked to look at all details and of course the crowd, and at Mac’s concerts there is mostly a funny crowd, there are self-made signs. But, I tried to concentrate on the band,” and there’s only one very lucky fan drawn in the final book.

Mac DeMarco is available via Nieves here.

A line drawing of three figures standing in a queue. To the right, a larger figure looks back at them with the text “18+” written on their face. The word “Deathtown” is written in cursive at the bottom.
Above

Stefan Marx: Mac DeMarco

A line drawing of a person with voluminous hair holding a tube of lipstick. To the right, a three-step sequence shows the lipstick being applied to their lips.
Above

Stefan Marx: Mac DeMarco

A line drawing showing a person holding a small rectangular object up to their eye. To the right, four sketches show a pair of bare feet and ankles from different angles.
Above

Stefan Marx: Mac DeMarco

A simple line drawing of two figures seen from the side. The figure on the right is more detailed, wearing a collared jacket and looking towards the left.
Above

Stefan Marx: Mac DeMarco

A line drawing of two figures. On the left, a person seen from behind looks towards another figure who appears to be playing a guitar.
Above

Stefan Marx: Mac DeMarco

A line drawing of a person seen from behind, holding a small object. They face a fragmented scene containing another figure, a floating head, and a series of stacked rectangular shapes.
Above

Stefan Marx: Mac DeMarco

A line drawing of two profile views of a person wearing a baseball cap. The figures are simplified sketches, shown from the neck up against a plain white background.
Above

Stefan Marx: Mac DeMarco

A line drawing of three stylised figures with large, cloud-like hair. Two figures overlap on the left, while a third figure on the right looks towards them.
Above

Stefan Marx: Mac DeMarco

A black and white line illustration of a dense crowd of people. The figures are drawn with simple, sketchy outlines and minimal facial features.
Above

Stefan Marx: Mac DeMarco

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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