Launch Recite Me assistive technology
A close-up of a grey cat with wide, amber eyes and its tongue poking out. The image is a page in an open book, with columns of text visible on the opposite page.

A design grad tackles the Scottish independence referendum debates

—
Date
28 July 2015

Not only is it refreshing to see a grad project that eschews the debate over whether or not print is dead, but it’s also great to see a young designer so politically engaged. It’s especially good when the work looks like that of Steph Roden, whose Adder Stone project manages to combine considered design with a lively, yet impartial look at the debates around the Scottish referendum for independence. Taking the form of a proposed biannual magazine, Adder Stone examines four questions per issue, each from a different source, and all relating to Scotland. As well as these catalysts for political exploration, there are also four pull-out posters, referencing the Yes and No posters seen everywhere around Scotland in the buildup to the referendum.

“Instead of giving definitive answers, the posters ask questions and generate discussion,” says Steph. “Though the country was split down the middle in terms of opinion, this newfound lack of apathy was strangely uniting. Adder Stone … seeks to help sustain interest in topics such as society, politics, and cultural identity. The magazine doesn’t wish to provide any absolute answers, nor align itself with any particular political standing; it merely seeks to present ideas.”

Three copies of a white booklet are fanned out against a turquoise background. The covers feature bold red text that reads “HOW CAN WE FEND OFF APATHY?” and the name “ADDER STONE”.
Above

Steph Roden: Adder Stone

A series of open spreads from a book or magazine, featuring a mix of photography, long-form text and maps. The cover is bright pink with the headline “HOW CAN WE FEND OFF APATHY?”.
Above

Steph Roden: Adder Stone

A white book or pamphlet rests on a mint green background. Red text reads “ADDER STONE”, followed by credits for designer Steph Roden and printer J. Thomson in Glasgow.
Above

Steph Roden: Adder Stone

An open book on a turquoise background. One page features bold red text that reads “It is 40% quicker to use the Northern Sea Route than the Suez C”.
Above

Steph Roden: Adder Stone

An open book rests against a turquoise background. The right-hand page features a pink text box containing a message from “Anonymous” dated “01/05/2012”.
Above

Steph Roden: Adder Stone

A white folded brochure and a matching open booklet lay against a bright green background. The brochure features bold black typography that reads “COULD BASIC INCOME END POVERTY?” with the name “ADDER STONE” at the bottom.
Above

Steph Roden: Adder Stone

A white folded poster and an open booklet are laid against a bright red background. The poster features bold black typography that reads “HOW CAN WE VOTE FOR CHANGE?” with the name “ADDER STONE” below.
Above

Steph Roden: Adder Stone

An open book rests against a turquoise background. The page is titled “Basic Income” and describes a protest in Bern where eight million coins were dumped outside the parliament building.
Above

Steph Roden: Adder Stone

A white folded pamphlet and a smaller open booklet lay on a bright red background. The pamphlet features the bold headline “Is Scotland a Nordic Country?” with the name “Adder Stone” printed at the bottom.
Above

Steph Roden: Adder Stone

A white folded poster and an open booklet are laid against a bright green background. The poster features bold black text that reads “Can jokes bring down Governments?” with the name “Adder Stone” at the bottom.
Above

Steph Roden: Adder Stone

A white sign is taped to the inside of a window in a red sandstone building. The text on the sign reads “HOW CAN WE VOTE FOR CHANGE?”.
Above

Steph Roden: Adder Stone

Share Article

Further Info

About the Author

Emily Gosling

—

Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.