Our pod, who art in heaven, Studio Audience be thy name. Thy kingdom come, they chat be done, on art as it is on design. Forgive us these days the odd pun and splutter of laughter, as we forgive those who pun against us. For thine is the podcast, the power and the glory, for ever and ever. Amen.
This week we shared our love of JWT Brazil’s work rebranding children’s cancer treatment with superheroes (above), welcomed the extraordinary Alan Fletcher archive and toasted the success of George Butler at the V&A Illustration Awards. We then looked at The Guardian’s new data-driven coffee shop – and the backlash –and wondered whether The Rolling Stones are right to impose a TV blackout on their Glastonbury set.
First up in this section we reflected on the opening of Sou Fujimoto’s Serpentine Gallery Pavilion, why the photos don’t do it justice and where it sits alongside its predecessors.
- Symbols of freedom "and the struggle for it": a look at the Polish School of Posters
- Soft and pastel-hued, Coline Marotta’s paintings draw from our relationship with tech
- Fyre Festival’s digital designer Tokyo tells its story, two years on
- Jump Ball celebrates the relationship between basketball and the African diaspora
- Stephen Milner’s new series re-contextualises surfing and porn mags through collage
- How Amanda Bonaiuto’s animation for Chocolate Moon turned into a piece of personal reflection
- "I felt I saw the world with different eyes": Jaimy Gail on photographing the concept of normalcy
- Let Salvador Dalí tell your future in a new edition of tarot cards
- Book of Roy: Neil Drabble photographs an American teenager over the course of eight years
- Greta Grotesk is a typeface in homage to the teenage activist’s handwriting
- Double Click October is all about the humble portfolio site
- Graphic Design is Mental: Tips for looking after your state of mind as a designer