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Represent’s Joe Cooper: from 118 junior briefs to 22 – someone has to give them experience
It’s a tough time for people starting out in the creative industry right now. Together with Creative Lives in Progress we asked 27 people to predict what starting a creative career will look like over the next three years.
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Starting a creative career has rarely felt harder. Junior roles are disappearing, budgets are tightening and AI is taking over much of the work that new starters once learned on. So we asked studio founders, recruiters, educators, organisations and emerging creatives themselves to predict what they think starting a creative career will look like over the next three years. What skills will matter most? How will the pipeline work? And what can people do to take advantage of new opportunities? Their answers will help shape how Creative Lives in Progress can best support emerging talent through this period and beyond.
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Joe Cooper, Head of Design at Represent
A decade ago, in 2016, we registered 118 active junior briefs at Represent by this point in the year. This year, we've had 22.
So, things will continue swimmingly, I’m sure. The end. Cheers.
Although, let's expand on that.
Obviously, those figures don't tell you everything about what's happening across the creative industries. But it's quite a difference, isn't it? And it does make you wonder where the next generation of creatives are going to find their way in.
And then, of course, there's AI. Because there always is (sorry). A lot of the production work that juniors would traditionally have cut their teeth on can now be done much more quickly and cheaply. Add tighter budgets and studios increasingly needing people who can hit the ground running, and you can see why those opportunities are becoming harder to come by.
But I'm not convinced the answer is for every graduate to become an AI expert, either. If anything, I think the things that'll really set young creatives apart are the more human qualities. Curiosity, original thinking, good judgement, knowing why something works rather than just how to make it, and being confident enough to question things.
“I can see more young creatives piecing together experience through freelance work, their own projects, collaborations, maybe even jobs outside the usual agency or brand world.”
Joe Cooper, Head of Design at Represent
I also think we'll continue to see a much less straightforward route into the industry. It used to be fairly simple (it wasn’t), at least in theory. You'd graduate, get a junior job, learn from the people around you and work your way up. That's not going away completely, but I suspect it'll continue to become less common.
Instead, I can see more young creatives piecing together experience through freelance work, their own projects, collaborations, maybe even jobs outside the usual agency or brand world. And actually, there's something really exciting about that. We could end up with people bringing much broader experiences and perspectives into our industry.
The bit that worries me, though, is who gets to take that route. Not everyone has the financial breathing room to spend months finding work, building connections and getting established.
And there's something you can't easily replace, about learning alongside experienced people. Making mistakes, getting feedback, having someone take the time to help you improve.
So yes, I think young creatives will increasingly have to make their own way in. I just hope we don't use that resourcefulness as an excuse to stop making room for them.
Because ultimately, everyone wants experienced creatives. Someone has to give them that experience in the first place.
This series has been put together in collaboration with It's Nice That's sister company Creative Lives in Progress; a creative careers resource, on a mission to transform the way emerging talent access, understand and connect with the industry. Find out more at creativelivesinprogress.com
Explore the full series
Creative Agencies and Studios
Caterina Bianchini, Co-Founder and Executive Creative Director at NARI Design
Joe Cooper, Head of Design at Represent
Dan Crowder, Founder and Managing Director at Craft
Simon Dixon, Co-Founder at DixonBaxi
Cat How, CEO and Founder at HOW+HOW
Jan Jenson, Chief Talent Officer at Residence
Joseph Lebus, Design Director, London Principal at Porto Rocha
Tadhg McCarthy, Co-Founder at Elsewhen
Max Ottignon, Co-Founder at Ragged Edge
Pali Palavathanan, Co-Founder and Creative Director at Templo
Lisa Smith, Global Chief Design Officer at Uncommon Creative Studio
Liz Stone, Co-Founder and Global Chief Creative Officer at OK COOL
Iain Tait, Founder at Food
Marcus Wendt, Founder and Chief Creative Officer at FIELD.IO
Education
Jay Anderson, Course Director, BA Graphic Design at Birmingham City University
Rachel Gannon, Associate Professor and Head of School of Design at Kingston School of Art, Kingston University
Dr Anna Kiernan, Associate Professor of Creativity and Literary Culture at University of Exeter
Professor Rebecca Wright, Deputy Vice Chancellor at Norwich University of the Arts
Derek Yates, Associate Professor and Head of Industry Integration & Curriculum Development at Ravensbourne University London
Organisations supporting entry level creatives
Oliver Benjamin, Director of Employment and Skills at A New Direction
Hilary Chittenden, Creative Learning Consultant
Paul Drake, Foundation Director at D&AD
Nik Gunn, Policy Adviser at Creative Industries Policy and Evidence Centre
Fran Plowright, Founder at Meet a Mentor
Isabel Sachs, Director at I LIKE NETWORKING
Emerging Creatives
Mina Pope, Design Intern at Studio Moross
Anas Houssein, Designer at the chase
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