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A grid of nine light painting photographs against a black background. Each frame shows swirling, abstract trails of neon blue and green light.

Hardeep Sahota captures the first “visual dictionary” of Bhangra dancing

In Bhangra Lexicon, the dancer and World Bhangra Day founder documents 300 movements and gestures from the dance and visualises them through long-exposure photography by Tim Smith.

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Date
14 January 2021

An online exhibition opened this week documenting and depicting the gestures of Bhangra dancing, and in doing so claims to be the world’s first “visual dictionary” of the art form. Created by dancer and World Bhangra Day founder Hardeep Sahota, the Bhangra Lexicon project saw Sahota catalogue over 300 dance movements from the genre and its sub-genres. Dancers performed holding coloured lights in semi-darkness, and were photographed by Tim Smith in long-exposure shots or so-called “light paintings” so that each nuance of their actions could be traced and visualised.

The project was borne from the Huddersfield-based dancer’s research into Bhangra’s history, which originated among farming communities in the Punjab during the spring harvest festival of Vaisakhi. Sahota explored the rich and diverse heritage of the dance and looked to document it to ensure its preservation for future generations. The shots also act as an alternative online resource for those learning the dance. His research examined elements of Bhangra moves or Mudravan, from traditional Puratan moves and how they correlate with specific Dhol beats, to more contemporary Samakali interpretations that have evolved over time. Among the images are also Irish dancers and breakdancers, similarly documenting their unique movements using light.

Rather than a straightforward video, Sahota wanted to create a set of compelling images that gave physical and sculptural form to the dance and its “fleeting nature”. The results are impactful and beautiful shots akin to calligraphic strokes in light, shot during the evening at locations around Yorkshire including Yorkshire Sculpture Park, which is hosting the show. In contrast to typical “light painting” images wherein the people are usually anonymous in the shadows, the dancers in Bhangra Lexicon are illuminated with a targeted flash because Sahota was keen that the costumes and cultural identities of the dancers played an “equally important role” as the moves in the final images.

View Bhangra Lexicon online here, curated by Yorkshire Sculpture Park.

GalleryHardeep Sahota: Bhangra Lexicon. Photography copyright © Tim Smith, 2021

A person stands in the dark, surrounded by swirling streaks of red and yellow light. The long-exposure effect creates glowing, fluid ribbons that wrap around their torso.
A dancer in traditional Indian attire performs against a black background. A long exposure creates swirling trails of bright green light that loop around the figure.
A long-exposure photograph of vibrant, undulating light trails in blue, orange and green. The glowing lines are reflected in a dark body of water, with the silhouettes of trees visible against a night sky.
A person in an ornate blue and gold costume stands against a black background. Swirling trails of blue, purple and green light wrap around them in a long-exposure effect.
A person stands on the left of a dark stage, creating flowing waves of blue and green light. The long-exposure streaks curve across the frame, reflecting on the polished floor.
Swirling streaks of red, yellow and blue light create abstract patterns across a landscape at dusk. The light trails float over a dark pond, framed by silhouettes of trees and a stone bridge.
A person spins in a dark space, wearing a garment adorned with glowing blue lights. Long exposure creates swirling trails of blue and gold light around their moving figure.

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Hardeep Sahota: Bhangra Lexicon. Photography copyright © Tim Smith, 2021.

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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