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A graphic design layout featuring the word “standards.” in a bold black typeface. Below, a series of colour swatches in blue, yellow, pink and red are paired with technical colour data. Three dark teal, clover-shaped forms of varying sizes are layered across the composition.

Standards is a helpful tool to aid the process of identity guidelines, from Standards Manual

Developed from publishing several books on the intricate beauty of graphic standard manuals, the soon-to-be-released tool will pull from the past to aid designers today.

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Date
6 August 2020

True appreciators of identity guidelines, since 2012 publishing imprint Standards Manual has collated together doorstops of books, delving into the manuals of Nasa, New York City’s transit authority and EPA. With the aim to archive and preserve guidelines of the past, the team behind Standards Manual are refocusing their attention to how designers work now, with the release of Standards: a new tool to design brand guidelines, “that takes the best from the past, and is built from design today.”

In piecing these books together Jesse Reed and Hamish Smyth, the founders of Standards Manual as well as partners at design office Order, noticed that as much as these brand guidelines were design gems, the approach to making them “was stubbornly stuck in the past, too”. Teaming up with Seattle-based design and development agency Shore, the pair have been working to create a tool to shape the way brand guidelines are developed now: “No more templates, clunky PDFs, or static asset handoffs to clients,” explains Standards' press release.

Three smartphone screens display a minimalist brand guidelines system. The central screen shows a colour palette, a grid of lowercase letters and the word “standards.” in a bold sans-serif typeface.
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Standards Manual: Standards

Built fluidly and centred around necessary information “like colour values, adaptable assets, typeface, and animation,” the tool is a rare release in being “based on the design principles of the past, while looking forward to the future of branding.” Standards’ own identity is an ideal example of this too, pulling from the plethora of influences Jesse and Hamish have investigated in their publication releases, notably the typographic direction of New York’s transit system and using Klim Type Foundry’s The Söhne family.

Not quite released just yet, a teaser site for Standards was released yesterday (5 August 2020) and has already received thousands of sign-ups for its release. You can sign up yourself here.

GalleryStandards Manual: Standards

The word “standards.” appears in a bold, black lowercase typeface against a plain light grey background. The full stop at the end is bright orange.
A colour palette consisting of ten rectangular swatches arranged in two rows of five. Each swatch includes its corresponding CMYK, RGB and hex colour codes.
A graphic design specimen showing a colour palette of yellow, orange and red. Beside the colours, text identifies the typeface as “Söhne Kräftig” in various sizes, from “36pt/px” to “343pt/px”.
A white graphic icon of a taxi viewed from the front against a black background. A small yellow sign sits on the roof.
A white downward-pointing arrow centered on a bright red background.
A graphic composition featuring several coloured circles of varying sizes on a light grey background. To the right, the word “Söhr” is repeated in a vertical column of black, italicised typography.
A side-by-side comparison of a typeface. On the left, white arrows point right against a blue background. On the right, the word “kräftig” is repeated in various sizes and weights of the Söhne typeface.

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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