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9 November 2026
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Digitas’s Jacob Bjornson: every senior was once given the time and space to be a junior

It’s a tough time for people starting out in the creative industry right now. Together with Creative Lives in Progress we asked 28 people to predict what starting a creative career will look like over the next three years.

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9 November 2026

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Starting a creative career has rarely felt harder. Junior roles are disappearing, budgets are tightening and AI is taking over much of the work that new starters once learned on. So we asked studio founders, recruiters, educators, organisations and emerging creatives themselves to predict what they think starting a creative career will look like over the next three years. What skills will matter most? How will the pipeline work? And what can people do to take advantage of new opportunities? Their answers will help shape how Creative Lives in Progress can best support emerging talent through this period and beyond.

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Jacob Bjornson, Junior Strategist at Digitas

My prediction for the next few years may not be the most optimistic, as I think starting out in creative industries will get harder, while the expectations placed on junior talent will get higher.

Economic pressure, mergers and layoffs are already making entry-level opportunities feel further away. At the same time, the “Senior + AI” model is increasingly being touted as the future: fewer people, more experience, amplified by technology.

The contradiction is that those seniors only became seniors because somebody once gave them the time and space to be juniors.

Juniors need consistent feedback and room to make mistakes. Employers understandably want them to be billable to clients as quickly as possible. As opportunities become more competitive, I think people starting out will increasingly be expected to close some of that experience gap themselves.

AI can be very useful for making work better, faster. But when you’re under pressure to make something more “client-facing”, it’s also tempting to let it do the difficult thinking for you. The output may look better, but have you actually improved along with it?

“I think its unfair to put the onus on juniors to just “be better”, I think its also in agencies’ best interest to find better ways to make it more worthwhile to develop them.”

Jacob Bjornson, Junior Strategist at Digitas

On the flip side, for the first time ever, you have a personal mentor sitting in your pocket, available 24/7. You can ask it to challenge your thinking, critique your work, explain something you don’t understand or teach you a vital technical skill. Used in the right way, that could rapidly improve how fast you can learn.

So I think an important skill will be learning to use AI as a sparring partner rather than outsourcing your brain to it, something I’m still figuring out myself.

I also think employers have a massive part to play in all this. If developing juniors feels too expensive, part of the answer needs to be making that development more effective and efficient, because it’s never been optimal, feedback depends on senior availability, work that’s had weeks spent on it can get glanced over, and client pressures often make mentorship an afterthought.

Could AI help fill some of those gaps? Maybe agencies could develop customised AI training solutions around their own skills, clients and ways of working, giving juniors more opportunities to practise and get feedback when human mentorship isn’t available. Done well, this could help juniors build skills and contribute to client work sooner, without every learning moment depending on a senior’s calendar. That could make investing in junior talent a stronger business decision, rather than a cost that’s hard to justify.

Overall, I think its unfair to put the onus on juniors to just “be better”, I think its also in agencies’ best interest to find better ways to make it more worthwhile to develop them.

This series has been put together in collaboration with It's Nice That's sister company Creative Lives in Progress; a creative careers resource, on a mission to transform the way emerging talent access, understand and connect with the industry. Find out more at creativelivesinprogress.com

Explore the full series

Creative Agencies and Studios

Caterina Bianchini, Co-Founder and Executive Creative Director at NARI Design
Joe Cooper, Head of Design at Represent
Dan Crowder, Founder and Managing Director at Craft
Simon Dixon, Co-Founder at DixonBaxi
Cat How, CEO and Founder at HOW+HOW
Jan Jenson, Chief Talent Officer at Residence
Joseph Lebus, Design Director, London Principal at Porto Rocha
Tadhg McCarthy, Co-Founder at Elsewhen
Max Ottignon, Co-Founder at Ragged Edge
Pali Palavathanan, Co-Founder and Creative Director at Templo
Lisa Smith, Global Chief Design Officer at Uncommon Creative Studio
Liz Stone, Co-Founder and Global Chief Creative Officer at OK COOL
Iain Tait, Founder at Food
Marcus Wendt, Founder and Chief Creative Officer at FIELD.IO

Education

Jay Anderson, Course Director, BA Graphic Design at Birmingham City University
Rachel Gannon, Associate Professor and Head of School of Design at Kingston School of Art, Kingston University
Dr Anna Kiernan, Associate Professor of Creativity and Literary Culture at University of Exeter
Professor Rebecca Wright, Deputy Vice Chancellor at Norwich University of the Arts
Derek Yates, Associate Professor and Head of Industry Integration & Curriculum Development at Ravensbourne University London

Organisations supporting entry level creatives

Oliver Benjamin, Director of Employment and Skills at A New Direction
Hilary Chittenden, Creative Learning Consultant
Paul Drake, Foundation Director at D&AD
Nik Gunn, Policy Adviser at Creative Industries Policy and Evidence Centre
Fran Plowright, Founder at Meet a Mentor
Isabel Sachs, Director at I LIKE NETWORKING

Emerging Creatives

Jacob Bjornson, Junior Strategist at Digitas
Mina Pope, Design Intern at Studio Moross
Anas Houssein, Designer at the chase

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