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A shirtless person with short cropped hair sits sideways on a wooden chair, looking back at the camera. They wear black Adidas tracksuit bottoms with white stripes.
A shirtless person with short cropped hair sits sideways on a wooden chair, looking back at the camera. They wear black Adidas tracksuit bottoms with white stripes.

Vic Bakin is documenting Ukrainian youth in Kyiv’s de-occupied territories

Focusing his lens on queer communities and subcultures in the region, the artist’s images are a war-torn account of adolescence.

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Date
2 April 2025

Raised in the west of Ukraine and now based in Kyiv, photographer Vic Bakin had his start in image making as a model photographer in 2012. The visual artist then spent the next ten years shooting personal projects and at the start of Russia’s full scale invasion of Ukraine in 2022, he found himself shifting to the much broader field of documentary. Now, he finds himself capturing the recently de-occupied landscapes of Kyiv, with a focus on queer communities and youth subcultures, resulting in a collection of works that unite subjects in “a shared experience of coming of age”.

Last year, the photographer published his first monograph Epitome with Void, a photobook that combines “photographs from my own archive with recent images I’ve made in war-torn areas”, he says. “The project was printed entirely in my makeshift darkroom in Kyiv.” To produce no larger than palm sized prints, Vic put these images through a silver gelatin process – their liquid edges and ephemeral appearance the result of “remaining open to surprises and accidents”, he shares. “I’m never interested in the ‘perfect’ print.” The series was selected for The Ones to Watch by the British Journal of Photography and was a winner of the LensCulture photography awards 2024.

Now working on a new portrait series Hell was Full, Vic is documenting “those who defend Ukraine”, putting young soldiers into frame. “I photograph them in their safe places, whether it’s their home, hospital, hotel or rented apartment. Sometimes, I have just 15 minutes and a few shots to make a portrait. For me, the very quiet portraits in pretty quiet places give the space for reflection and deepen the feeling of the hell that awaits these soldiers on the frontlines,” he says.

When outlining his inspirations Vic shares: “I’m probably subconsciously influenced by a variety of great photographers,” but, in reality, the artist doesn’t spend much too much time looking at other photographs. “Life’s too short to just copy or repeat someone’s work, and not try to find your own voice,” he ends.

A tattered Ukrainian flag hangs from a wooden pole attached to a crumbling white pillar. The surrounding building is heavily damaged, with exposed red bricks and cracked plaster.
Above

Vic Bakin: Flag I, Broken Trees, Makariv (Copyright © Vic Bakin, 2022)

A shirtless person with short blonde hair leans their forehead against the rough bark of a large tree. They stand in profile, one hand resting on the trunk.
Above

Vic Bakin: Stopper(Bullet Stopper), Epitome, Kyiv region (Copyright © Vic Bakin, 2022)

A person stands in profile by the edge of a still lake, looking out across the water. They are shirtless and wear loose-fitting trousers, framed by the weathered edges of a film negative.
Above

Vic Bakin: River, Epitome, Kyiv Region (Copyright © Vic Bakin, 2022)

Bright yellow sunflowers grow wild alongside a tall concrete utility pole. They are nestled within a dense field of green corn stalks under a pale, cloudy sky.
Above

Vic Bakin: Sunflowers, Broken Trees, Velyka Dymerka (Copyright © Vic Bakin, 2022)

A person in a purple cropped knit jumper leans on a floral-patterned table, resting their head on one hand. Behind them, a small print of the Mona Lisa hangs on a plain white wall.
Above

Vic Bakin: Bohdana, To Be Who We Want To Be, Kyiv (Copyright © Vic Bakin, 2022)

A shirtless person stands against a dark, textured backdrop, looking directly at the camera. They have tattoos across their chest, including the numbers “28” and “83” flanking two figures in action.
Above

Vic Bakin: Venya, Boxer, Kyiv (Copyright © Vic Bakin, 2021)

A black assault rifle hangs vertically on a pale wall. The wall is decorated with a childish wallpaper border featuring small animals and crowns.
Above

Vic Bakin: Kids room, Hell Was Full (Copyright © Vic Bakin, 2024)

A person in camouflage military fatigues sits against a plain white wall, looking directly at the camera. They have red hair and blue eyes, with their arms resting across their lap.
Above

Vic Bakin: Rebekah, Hell Was Full, Kyiv (Copyright © Vic Bakin, 2024)

A person in a green T-shirt and camouflage trousers lies on a bed, staring thoughtfully at the ceiling. They rest their head on white pillows in a sparsely furnished room.
Above

Vic Bakin: Sahsa POW, Hell Was Full, Kyiv (Copyright © Vic Bakin, 2024)

Three storks stand atop a large, dense nest of twigs. The nest is perched on a tall utility pole against a pale, overcast sky.
Above

Vic Bakin: Storks, Epitome, Kyiv region, Velyka Dymerka (Copyright © Vic Bakin, 2024)

A close-up, monochrome portrait of a person with a buzzed haircut. They are shown in profile, looking off-camera with a neutral expression.
Above

Vic Bakin: Head, Epitome, Kyiv region, (Copyright © Vic Bakin, 2020)

A moody, textured photograph of two sunflowers drooping against a dark background. The image has a grainy, weathered quality with reddish-brown stains around the edges.
Above

Vic Bakin: Flowers, Epitome, Kyiv region, (Copyright © Vic Bakin, 2023)

Hero Header

Vic Bakin: Untitled, Kyiv (Copyright © Vic Bakin, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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