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Sagmeister & Walsh rebrands fashion label Milly to reflect its "edgy" new personality

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Date
19 August 2016
A person with red lipstick and braces scrunches their face against a bright yellow background. The word “MILLY” is written in red across their upper teeth.

Sagmeister & Walsh has completed a rebrand and visual campaign for New York fashion label Milly. The team has applied its rich and vivid art direction trademark to create a campaign that will be produced in print, digitally, and across social platforms.

The label started by Michelle Smith originally gained its following due to a “retro and vintage-inspired look merging American silhouettes with French atelier style”. However, more recently it has embarked on a shift in tone, shaping the brand to be “edgy, bold, colourful and irreverent” says the agency’s partner Jessica Walsh. Sagmeister & Walsh’s redesign aptly represents Milly’s evolution in personality, injecting a bolt of energy into the brand identity while intelligently maintaining its original look.

“We kept the shape of the existing logo mark but evolved the mark’s personality by transforming it into a changing logo type that can showcase different attitudes. Whether the logo grows flowers, freezes over in ice, or is painted onto a woman’s body, each application tells a new story which can evolve as the clothes in each season do,” she explains.

Sagmeister & Walsh will gradually release more images as part of the campaign based on further understanding of what catches the eye of the consumer and maintains their interest, Jessica explains: “Consumers are used to digesting large amounts of imagery and content from brands daily. Recognising this, we created a campaign of over 400 images and animations to accompany an influencer programme which will roll out over the next year on social media.”

A 3D render of a large, abstract shape composed of dense blue flowers against a vibrant red background. The floral form resembles a stylised butterfly or a winged figure.
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Sagmeister & Walsh: Milly

A person poses against a bright yellow background, wearing a long pink fuzzy coat, a blue lace bralette and a metallic gold skirt. They have bright pink lipstick and colourful, abstract shapes applied to their face.
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Sagmeister & Walsh: Milly

A person uses a green knife to slice a wide blue ribbon on a wooden chopping board. Several triangular pieces of ribbon have already been cut. The scene is set on a pink surface against a blue background. Nearby lie spools of blue thread, colourful buttons and safety pins.
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Sagmeister & Walsh: Milly

A 3D render of a blue geometric logo standing in a bed of blue flowers and green grass. The scene is set against a solid yellow background.
Above

Sagmeister & Walsh: Milly

A person stands against a vibrant purple background, holding a bunch of pink roses. They wear a top made of colourful orchid petals and have small yellow petals applied to their face.
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Sagmeister & Walsh: Milly

A pair of bright blue high-heeled shoes sit inside a small, glossy red microwave. The appliance is set against a plain turquoise background.
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Sagmeister & Walsh: Milly

A person looks directly at the camera against a bright red background. They wear bold, graphic black makeup across their eyes and forehead in a symmetrical, linear pattern.
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Sagmeister & Walsh: Milly

A person in a red off-the-shoulder dress stands against a red background. They hold a large green monstera leaf in front of their face, leaving only their red lips visible.
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Sagmeister & Walsh: Milly

A person with a shaved head and blue lipstick poses against a bright green background. Several colourful, jewelled beetles are positioned across their forehead, cheeks and shoulder.
Above

Sagmeister & Walsh: Milly

A 3D render of a large, crystalline letter “M” floating against a blue background. Below it, the name “MILLY” is spelled out in smaller, matching ice-like letters amidst falling snow.
Above

Sagmeister & Walsh: Milly

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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